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OverviewFull Product DetailsAuthor: Sean W. Maher (Queensland University of Technology, Australia)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.476kg ISBN: 9781138304567ISBN 10: 1138304565 Pages: 212 Publication Date: 01 September 2020 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Part I: Approaching the Metropolis 1. From Modern Metropolis to Postmodern Urbanism 2. Hard-Boiled Boulevards Part II: Los Angeles – Between the Screen and the Streets 3.City of Silhouettes 4. Noirscapes of Motion 5. The Neo Noirscape of Nostalgia 6. Through a Glass Darkly: Global Los Angeles and Postmodern Noirscapes at the End of the Twentieth CenturyReviewsThis is an exciting book that provides a fresh take on both a familiar genre, and familiar city. Maher manages to make the familiar unfamiliar, creating an alternative history of both LA as a city of our imagination, and Film Noir as the location for this. -Jane Roscoe, The London Film School In order to move between film studies, urban geography and social theory, Maher develops an argument that shows considerable conceptual agility in its capacity to move across worlds to propose that the history of representing LA in film marks a transition in itself from the modern to the postmodern, and from the real to the hyperreal. Professor Terry Flew, University of Sydney, Australia Author InformationDr Sean Maher is Senior Lecturer in the Creative Industries Faculty at the Queensland University of Technology (QUT) in Brisbane, Australia. He has been a been Visiting Scholar at UCLA Film and Television Archives. He is an Australian representative on the Steering Committee for the Filmmakers Research Network (FRN), a British Arts and Humanities Research Council (AHRC) grant investigating filmmaking-based research. As a writer and director, he has produced essay films on Los Angeles and film noir as part of investigating creative practice-based research (Maher, S. and Kerrigan S, (2016) Noirscapes: Using the screen to write Los Angeles noir as urban historiography in the Journal of Writing in Creative Practice). Tab Content 6Author Website:Countries AvailableAll regions |