Film Modernism

Author:   Sam Rohdie ,  Bethan Hirst
Publisher:   Manchester University Press
ISBN:  

9780719099281


Pages:   256
Publication Date:   01 September 2015
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $33.99 Quantity:  
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Film Modernism


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Overview

This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, Joao Cesar Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. -- .

Full Product Details

Author:   Sam Rohdie ,  Bethan Hirst
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.40cm , Length: 21.60cm
Weight:   0.340kg
ISBN:  

9780719099281


ISBN 10:   0719099285
Pages:   256
Publication Date:   01 September 2015
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Allegory Ambulation Archive Arrangements Authorship Bodies Bricolage Characters Classicism Colour Contradiction Desire Destructuring Drama Duplication Elsewhere Film Noir Frame History Images Immediacy Inertia Insufficiency Investigations 1 Investigations 2 Language Levels Masquerade Melodrama Minimalism Mise en scène Modernity Montage 1 Montage 2 Museum Myth Narrative Networks Nowhere Pop Portraiture Randomness Realism Realities Reproduction Returns Theatre Time Truth Vertigo Voyages Writing Bibliography Index -- .

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Author Information

Sam Rohdie (1939–2015) was Professor of Cinema Studies at the University of Central Florida -- .

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