Full Product Details
Author: Marijke de Valck (University of Amsterdam, Netherlands) ,
Brendan Kredell (Oakland University, USA) ,
Skadi Loist (University of Rostock, Germany)
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Dimensions:
Width: 15.60cm
, Height: 1.50cm
, Length: 23.40cm
Weight: 0.378kg
ISBN: 9780415712477
ISBN 10: 0415712475
Pages: 256
Publication Date: 23 February 2016
Audience:
College/higher education
,
Undergraduate
,
Postgraduate, Research & Scholarly
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
Bringing together leading film festivals scholars, this book is a welcome and much needed addition both to the growing field of festival studies, and world cinema more generally. Festivals, no doubt, offer the most fruitful ground on which to investigate the transnational dynamic of cinema, but they are a complex phenomenon and anything but easy to study. Because they present such a dizzying convergence of numerous elements-cinephilia, tourism, art, business, geopolitics-they have escaped the traditional, rather limited frameworks in film studies. This volume brings these diverse dimensions together in a systematic method, offering productive theoretical and practical tools with which to address both the specificity of particular festivals and their embeddedness in a larger festival and cultural network. Meta Mazaj, Senior Lecturer in Cinema Studies, University of Pennsylvania For any scholar interested in the part played by film festivals in the emerging study of transnational film culture this excellent collection provides a comprehensive and vital starting point. Gareth Stanton, Senior Lecturer in Media and Communications, Goldsmiths, University of London
Bringing together leading film festivals scholars, this book is a welcome and much needed addition both to the growing field of festival studies, and world cinema more generally. Festivals, no doubt, offer the most fruitful ground on which to investigate the transnational dynamic of cinema, but they are a complex phenomenon and anything but easy to study. Because they present such a dizzying convergence of numerous elements-cinephilia, tourism, art, business, geopolitics-they have escaped the traditional, rather limited frameworks in film studies. This volume brings these diverse dimensions together in a systematic method, offering productive theoretical and practical tools with which to address both the specificity of particular festivals and their embeddedness in a larger festival and cultural network. -Meta Mazaj, Senior Lecturer in Cinema Studies, University of Pennsylvania For any scholar interested in the part played by film festivals in the emerging study of transnational film culture this excellent collection provides a comprehensive and vital starting point. - Gareth Stanton, Senior Lecturer in Media and Communications, Goldsmiths, University of London ... the present volume treats film festivals theoretically and comparatively, considering them as networked sites that negotiate cultural capital on local, national, and global scales. Contributors include many of the key researchers in the field, among them Cindy Hing-Yuk Wong, author of the terrific Film Festivals: Culture, People, and Power on the Global Screen (2011). Valck includes in this skillfully edited collection essays not only on Cannes and Asian film festivals but also on identity-based community festivals. ... this book is required reading for anyone interested in the subject. - S. C. Dillon, Bates College
Author Information
Marijke de Valck is Associate Professor in the Department of Media and Culture Studies at Utrecht University. She is a well-known specialist of film festival studies and author of Film Festivals: From European Geopolitics to Global Cinephilia (2007). She co-founded the Film Festival Research Network and is co-editor of the book series Framing Film Festivals. Brendan Kredell is Assistant Professor of Cinema Studies at Oakland University. His research focuses on media and urban studies, an area in which he has published widely. He received a Fulbright fellowship for his work on culture-led urban redevelopment and the Toronto International Film Festival. Skadi Loist is a lecturer and postdoctoral researcher at the Institute for Media Research of the University of Rostock. She co-founded the Film Festival Research Network and serves as member of the Steering Committee of NECS. Her research interests include film festivals, queer cinema and media industries. She has worked with the Hamburg International Queer Film Festival since 2002.
