Film and Video Censorship in Modern Britain

Author:   Julian Petley ,  Julian Petley ,  Professor Constantin V Boundas
Publisher:   Edinburgh University Press
ISBN:  

9780748625390


Pages:   240
Publication Date:   17 May 2011
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
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Film and Video Censorship in Modern Britain


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Full Product Details

Author:   Julian Petley ,  Julian Petley ,  Professor Constantin V Boundas
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 15.60cm , Height: 1.30cm , Length: 23.40cm
Weight:   0.364kg
ISBN:  

9780748625390


ISBN 10:   0748625399
Pages:   240
Publication Date:   17 May 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Introduction; PART I. 'CENSORIOUS RIGMAROLE AND LEGALISTIC OVERKILL'; Introduction; 1. A Nasty Story; 2. Nastier Still; 3. Two or Three Things I Know About 'Video Nasties'; PART II. AFTER THE DELUGE; Introduction; 4. 'The Tenor of the Times': an Interview With James Ferman; 5. 'Reading Society Aright': Five Years After the Video Recordings Act; 6. The Video Image; PART III. NINETIES NIGHTMARES; Introduction; 7. 'Not Suitable for Home Viewing'; 8. Vicious Drivel and Lazy Sluts; 9. Doing Harm; 10. The Anatomy of a Newspaper Campaign: Crash; 11. The Last Battle, or Why Makin' Whoopee Matters; PART IV. NEW MILLENNIUM, NEW BEGINNING?; Introduction; 12. 'The Way Things are Now': an Interview With Robin Duval; 13. The Limits of the Possible; 14. Full Circle; Appendix: The DPP 'Top 60' List of 'Video Nasties'

Reviews

A necessary, fascinating, meticulous, exasperated book on a thorny subject ... full of reasonable good sense in the face of almost surreally unreasonable, hideously entrenched, all-too-horribly British attitudes. -- Kim Newman An incisive and insightful account of the censorship business in Britain -puerile, nit-picking and pubic hair-splitting. Petley shows that the real victims are those which it pretends to protect, that pressure for repression comes from hypocritical politicians and 'popular' journalists, and that the visual media industry itself has been cowardly and complicit in muzzling the artistic freedom of its members. -- Geoffrey Robertson QC A necessary, fascinating, meticulous, exasperated book on a thorny subject ... full of reasonable good sense in the face of almost surreally unreasonable, hideously entrenched, all-too-horribly British attitudes. An incisive and insightful account of the censorship business in Britain -puerile, nit-picking and pubic hair-splitting. Petley shows that the real victims are those which it pretends to protect, that pressure for repression comes from hypocritical politicians and 'popular' journalists, and that the visual media industry itself has been cowardly and complicit in muzzling the artistic freedom of its members.


A necessary, fascinating, meticulous, exasperated book on a thorny subject ... full of reasonable good sense in the face of almost surreally unreasonable, hideously entrenched, all-too-horribly British attitudes. -- Kim Newman An incisive and insightful account of the censorship business in Britain -puerile, nit-picking and pubic hair-splitting. Petley shows that the real victims are those which it pretends to protect, that pressure for repression comes from hypocritical politicians and 'popular' journalists, and that the visual media industry itself has been cowardly and complicit in muzzling the artistic freedom of its members. -- Geoffrey Robertson QC A necessary, fascinating, meticulous, exasperated book on a thorny subject ... full of reasonable good sense in the face of almost surreally unreasonable, hideously entrenched, all-too-horribly British attitudes. An incisive and insightful account of the censorship business in Britain -puerile, nit-picking and pubic hair-splitting. Petley shows that the real victims are those which it pretends to protect, that pressure for repression comes from hypocritical politicians and 'popular' journalists, and that the visual media industry itself has been cowardly and complicit in muzzling the artistic freedom of its members.


Author Information

Julian Petley is Professor of Screen Media and Journalism in the School of Arts at Brunel University, Chair of the Campaign for Press and Broadcasting Freedom, a member of the board of Index on Censorship, and co-principal editor of the Journal of British Cinema and Television. His most recent publications are Freedom of the Word (2007), Freedom of the Moving Image (co-written with Philip French, 2008) and Censorship: a Beginner's Guide (2009).

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