Figures of the Pre-Freudian Unconscious from Flaubert to Proust

Author:   Michael R. Finn
Publisher:   Cambridge University Press
ISBN:  

9781316635964


Pages:   252
Publication Date:   11 July 2019
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Figures of the Pre-Freudian Unconscious from Flaubert to Proust


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Author:   Michael R. Finn
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.30cm , Height: 1.50cm , Length: 23.00cm
Weight:   0.400kg
ISBN:  

9781316635964


ISBN 10:   1316635961
Pages:   252
Publication Date:   11 July 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements; Introduction; Part I. Before Freud: The Quarrel of the Unconscious in Late Nineteenth-Century France; 1. Reflex action, unconscious cerebration, subliminal self; 2. The double brain and cerebral topography; 3. Hallucination and hypnotism; 4. The quarrel of the unconscious; 5. The French unconscious, Janet and Freud; Part II. Flaubert: Hysterical Duality, Hallucination and Writing: 6. The divided writer; 7. Flaubert bi-gendered; 8. Hector Landouzy, Salammbô and hysteria; 9. The critics and Flaubert's divided self; 10. Absorption, hallucination, writing stance; Part III. Maupassant, Charcot and the Paranormal: 11. Charcot, Le Horla and ambient psychic research; 12. 'Les magnétiseurs': Pickmann vs Donato; 13. Dualities and doubles; 14. Figuring the Maupassantian unconscious; Part IV. The Unconscious Female/The Female Unconscious: 15. Fictions of female physiology; 16. The late-century female brain and education; 17. Four female writers on the female brain; 18. Femme fatale, femme inconsciente; Part V. Hypnotism, Dual Personalities and the Popular Novel: 19. Experimental crimes, real crimes; 20. Dual personality, hypnotism and the French fin-de-siècle novel; 21. Sex, hypnotism and the unconscious; 22. A more sophisticated unconscious?; Part VI. Proust, the Intellect and the Unconscious: 23. Trials of the intellect; 24. The unconscious and creativity: 1900; 25. The 'natural' unconscious: Proust and Maeterlinck; 26. Toward the Proustian unconscious; 26.A Willpower and the creative; 26.B Unconscious anticipation; 26.C Deep, behind, within: articulating the unconscious; Postscript; Notes; Bibliography; Index.

Reviews

'Clear and precise in its arguments, Finn's book draws illuminatingly on an impressive range of late nineteenth- and early twentieth-century sources, from medical treatises and theses, medical and cultural history to writers' correspondence, biography, literary fiction, reception studies and literary criticism. Finn has produced a book that enlivens our thinking and enriches our understanding of the place of pre-Freudian unconscious during a period when developments in medicine, psychology and psychiatry in France were informing and being reflected in creative writing of various sorts.' Adam Watt, University of Exeter '… an excellent and important project … This detailed rereading of scientific discourse is in turn enriched by literary deployments of psychic phenomena. The research is thorough. The claims made are original and insightful.' Janell Watson, Virginia Polytechnic Institute and State University 'Finn charts the quarrels that took place in the second half of the nineteenth century over the very existence of the unconscious, and, later, the debates over the creative potential of the unconscious, all in anticipation of Freudian contributions and discoveries, and of Proustian thought. … The scope of the study is illuminating …' Kate Rees, French Studies


'Clear and precise in its arguments, Finn's book draws illuminatingly on an impressive range of late nineteenth- and early twentieth-century sources, from medical treatises and theses, medical and cultural history to writers' correspondence, biography, literary fiction, reception studies and literary criticism. Finn has produced a book that enlivens our thinking and enriches our understanding of the place of pre-Freudian unconscious during a period when developments in medicine, psychology and psychiatry in France were informing and being reflected in creative writing of various sorts.' Adam Watt, University of Exeter '... an excellent and important project ... This detailed rereading of scientific discourse is in turn enriched by literary deployments of psychic phenomena. The research is thorough. The claims made are original and insightful.' Janell Watson, Virginia Polytechnic Institute and State University 'Finn charts the quarrels that took place in the second half of the nineteenth century over the very existence of the unconscious, and, later, the debates over the creative potential of the unconscious, all in anticipation of Freudian contributions and discoveries, and of Proustian thought. ... The scope of the study is illuminating ...' Kate Rees, French Studies `Clear and precise in its arguments, Finn's book draws illuminatingly on an impressive range of late nineteenth- and early twentieth-century sources, from medical treatises and theses, medical and cultural history to writers' correspondence, biography, literary fiction, reception studies and literary criticism. Finn has produced a book that enlivens our thinking and enriches our understanding of the place of pre-Freudian unconscious during a period when developments in medicine, psychology and psychiatry in France were informing and being reflected in creative writing of various sorts.' Adam Watt, University of Exeter `... an excellent and important project ... This detailed rereading of scientific discourse is in turn enriched by literary deployments of psychic phenomena. The research is thorough. The claims made are original and insightful.' Janell Watson, Virginia Polytechnic Institute and State University 'Finn charts the quarrels that took place in the second half of the nineteenth century over the very existence of the unconscious, and, later, the debates over the creative potential of the unconscious, all in anticipation of Freudian contributions and discoveries, and of Proustian thought. ... The scope of the study is illuminating ...' Kate Rees, French Studies


Author Information

Michael R. Finn is Emeritus Professor of French in the Department of Languages, Literatures and Cultures at Ryerson University in Toronto. He has written widely on the connection between literature and medicine including the books Proust, the Body and Literary Form (Cambridge, 1999) and Hysteria, Hypnotism, the Spirits and Pornography (2009), as well as an extensive range of articles.

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