Awards

• Winner of Winner, 2009 Alan Merriam Prize (Society for Ethnomusicology)Winner, Nketia Book Prize, Society for Ethnomusicology.
• Winner of Winner, 2009 Alan Merriam Prize (Society for Ethnomusicology)Winner, Nketia Book Prize, Society for Ethnomusicology.

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9780253349248

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Reviews

This broad comparative approach synthesizing several decades of research is groundbreaking in both ethnomusicology and African studies, and the author has the expertise and authority to accomplish such a difficult project. Eric Charry, Wesleyan University If you've always associated west African music with drumming, think again: this enjoyable and immensely readable book explains the vital importance of the dynamic and highly developed traditions of the fiddle in this part of the world, which reach back at least 300 years and possible much further. Jacqueline Cogdell Djedje, professor and chair of ethnomusicology at the University of California in Los Angeles (UCLA), draws on her own field studies conducted between 1973 and 2003 to provide a comprehensive survey of the instrument in the three main musical cultures of west Africa: Fulbe, Hausa and Dagbamba. The scope of this fascinating and painstakingly researched study is broad, but it is also methodically focussed... She examines aspects of the fiddle tradition as the history of the instrument , contexts for performance, social status of its players, ensemble organisation, the music's stylistic features and the profiles of players from each culture. - Catherine Nelson, The Strand, October 2009

... Fiddling in West Africa is a good resource not only for a Westerner who knows next to nothing about fiddling in some 'obscure' corner of Africa, but also for the African student and scholar trying to understand the musical practices of their folk. This interesting piece is as informative as it educative, and should be at the head of reading-lists for students of ethnomusicology and cultural studies, and on the desk of the avid reader. -Abdulai Salifu, Indiana University, Journal of Folklore Research, October 15, 2008 This broad comparative approach synthesizing several decades of research is groundbreaking in both ethnomusicology and African studies, and the author has the expertise and authority to accomplish such a difficult project. -Eric Charry, Wesleyan University [T]his is a fascinating book that deserves the attention not only of African-oriented scholars but also of ethnomusicologists in general, and it is recommended to all institutions dealing with African cultures. -The World of Music, 51(2), 2009 The scope of this fascinating and painstakingly researched study is broad, but it is also meticulously focused, so that, after an introduction to the one-stringed spike bowl lute and a look at how it came to the region, Cogdell Djedje takes on each of the three cultures [Fulbe, Hausa and Dagbamba] in turn. -Catherine Nelson, October 2009 This impressive book is both ambitious in its scope and meticulously detailed... The importance of Fiddlers in West Africa spans far beyond being a rich source of information about fiddling traditions... DjeDje's book defies these stereotypes by opening the reader to the sheer diversity of musical instruments, approaches, and repertoires in West Africa. -Notes Fiddling in West Africa furnishes substantive and intelligent answers to various questions about the nature and purpose of fiddling in Fulbe, Hausa, and Dagbamba. Djedje makes a significant contribution to ethnomusicology with far-reaching impact across disciplinary boundaries. Fiddling in West Africa is an invaluable resource for students and scholars, as well as the general public. -American Ethnologist, Volume 36, No. 3, August 2009 Fiddling in West Africa... is a phenomenal addition to critical literature on African music in particular and ethnomusicology in general.Ths seminal publication represents an excellent consummation of a sustained scholarship on a West African music tradition that spans three decades. -Intl. Journal of African Historical Studies, May 2008 The dissemination of the one-stringed fiddle tradition in Africa seems to be concentrated in the so-called Sudanic Belt, an area that shares the border with the Pan-Arabic territory (also known as the Sahel). Djedje (UCLA) applies a multi-sited ethnography, focusing her research on the spread of the fiddle. She asserts that the dispersion of this instrument in West Africa is related to movement of the Fulbe, a nomadic people who originated in the Senegal Valley and migrated across West Africa, from Senegal to Lake Chad. The author successfully presents and demonstrates how the identity of this instrument has been reshaped to fit the history and ideology of ethnic groups that assimilated the instrument out of contact with the Fulbe. In addition to the lengthy bibliography, the book includes a generous discography and videography of selected recordings of one-stringed fiddle music from West Africa, organized geographically by ethnic groups. This strong example of ethnomusicology will also benefit students of anthropology and ethnography. Summing Up: Recommended. Lower-division undergraduates through faculty. -- ChoiceKazadi wa Mukuna, Kent State University, December 2008

Author Information

Jacqueline Cogdell DjeDje is Professor and Chair of Ethnomusicology and former Director of the Ethnomusicology Archive at the University of California, Los Angeles.

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