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OverviewFull Product DetailsAuthor: Catherine McDermott (Manchester Metropolitan University, UK)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Dimensions: Width: 14.40cm , Height: 2.00cm , Length: 22.00cm Weight: 0.500kg ISBN: 9781350224988ISBN 10: 1350224987 Pages: 280 Publication Date: 30 June 2022 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsSeries Editors’ Introduction Introduction Part I: Impasse 1. Feel-Bad Postfeminism in Gillian Flynn’s Gone Girl 2. Postfeminist Impasse and Cruel Optimism in Lena Dunham’s Girls 3. ‘Being without a cliché to hold onto can be a lonely experience’: Generic Isolation in Appropriate Behaviour Part II: Resilience 4. Suffering, Resilience and Defiance in The Hunger Games 5. Relationality and Transformation in Girlhood 6. Feel-Bad Femininity in Catch Me Daddy Conclusion References IndexReviewsThis lively, readable book makes a vital contribution to contemporary literature about gender, media and culture. Building on a growing body of work on the affective dimensions of everyday life, Catherine McDermott asks how postfeminism feels, charting a shift from the can-do, aspirational tropes of the 1990s and early 2000s to something more complex and ambivalent. Feel-Bad Postfeminism deserves to be widely read! -- Rosalind Gill, City University of London, UK Author InformationCatherine McDermott is Associate Lecturer in the Department of English at Manchester Metropolitan University, UK. She teaches cultural and critical theory and her work has been published in Reading Lena Dunham’s Girls (2017) and the journal Girlhood Studies. Tab Content 6Author Website:Countries AvailableAll regions |
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