Overview

Full Product Details

Author:   Justine De Young (Fashion Institute of Technology, State University of New York)
Publisher:   Bloomsbury Publishing PLC
Imprint:   I.B. Tauris
Weight:   0.481kg
ISBN:  

9781784534622

ISBN 10:   1784534625
Pages:   288
Publication Date:   30 June 2017
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements List of Illustrations Introduction: Addressing Fashion in Art by Justine De Young 1. From the Studio to the Street: Modelling Neoclassical Dress in Art and Life by Amelia Rauser 2. Parures, Pashminas, and Portraiture, or, How Josephine Bonaparte Fashioned the Napoleonic Empire by Heather Belnap Jensen 3. Temporalities of Costume and Fashion in Art of the Romantic Period by Susan L. Siegfried 4. Desire and Dress: Rossetti's Erotics of the Unclassifiable and Working-Class Models by Julie Codell 5. Mourning for Paris: The Art and Politics of Dress after 'l'annee terrible' (1870-71) by Justine De Young 6. Mannequin and Monkey in Seurat's Grande Jatte (1884) by Emmelyn Butterfield-Rosen 7. 'But the coat is the picture': Issues of Masculine Fashioning, Politics and Sexual Identity in Portraiture in England c. 1890-1900 by Andrew Stephenson 8. Silencing Fashion in Early Twentieth-Century Feminism: The Sartorial Story of Suffrage by Kimberly Wahl 9. Puppets, Patterns, and 'Proper Gentlemen': Men's Fashion in Anton Raderscheidt's New-Objectivity Paintings by AEnne Soell Notes on the Contributors Selected Bibliography

Reviews

'This is an exciting book, excellent in its scope and rigour, immaculately edited and richly imaginative. It proposes a new approach to fashion research concerning dress, art and the body.' - Peter McNeil, Professor of Design History, University of Technology Sydney

Author Information

Justine De Young is Assistant Professor of the History of Art at the Fashion Institute of Technology, New York. Her research focuses on nineteenth and twentieth-century art and literature, visual and material culture, modernism and fashion. She has written widely on art and fashion, notably for the 2012-3 exhibition, 'Impressionism, Fashion and Modernity'.

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