Overview

Fantastic Histories explores the political and cultural contexts of the entry of fairies to the historical record in twelfth century England, and the subsequent uses of fairy narratives in both insular and continental history and romance. It traces the uses of the fairy as a contested marker of historicity and fictionality in the histories of Gerald of Wales and Walter Map, the continental mirabilia of Gervase of Tilbury, and the fourteenth- and fifteenth-century French Melusine romances and their early English reception. Working across insular and continental source material, Fantastic Histories explores the practices of history-writing, fiction-making, and the culturally determined boundaries of wonder that defined the limits of medieval history.

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9781526195852

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Reviews

‘The dichotomies of truth and fiction, belief and make-believe have proved to be over-simplistic tools for the analysis of the stories of fairies embedded in the complex Latin histories and vernacular dynastic chronicles of the medieval period. Victoria Flood’s brilliant and thoughtful book teases out the different functions of such fairy narratives, revealing a range of subtle, often surprising implications and destabilising many longstanding assumptions about fairies in medieval culture.’ —Carolyne Larrington, Emerita Professor of medieval European literature, University of Oxford -- .

‘The dichotomies of truth and fiction, belief and make-believe have proved to be over-simplistic tools for the analysis of the stories of fairies embedded in the complex Latin histories and vernacular dynastic chronicles of the medieval period. Victoria Flood’s brilliant and thoughtful book teases out the different functions of such fairy narratives, revealing a range of subtle, often surprising implications and destabilising many longstanding assumptions about fairies in medieval culture.’ —Carolyne Larrington, Emerita Professor of medieval European literature, University of Oxford ‘This meticulously researched and carefully argued study explores the socio-cultural politics of history making and how some knowledges become privileged over others. This is a learned study that makes a significant contribution to scholarship. Moreover, the selection of texts and the connections established make this work indispensable reading for those interested in the Melusine romances.’ —Jan Shaw, Arthuriana -- .

‘The dichotomies of truth and fiction, belief and make-believe have proved to be over-simplistic tools for the analysis of the stories of fairies embedded in the complex Latin histories and vernacular dynastic chronicles of the medieval period. Victoria Flood’s brilliant and thoughtful book teases out the different functions of such fairy narratives, revealing a range of subtle, often surprising implications and destabilising many longstanding assumptions about fairies in medieval culture.’ —Carolyne Larrington, Emerita Professor of medieval European literature, University of Oxford ‘This meticulously researched and carefully argued study explores the socio-cultural politics of history making and how some knowledges become privileged over others. This is a learned study that makes a significant contribution to scholarship. Moreover, the selection of texts and the connections established make this work indispensable reading for those interested in the Melusine romances.’ —Jan Shaw, Arthuriana ‘The boundary between history and romance is porous, and Flood shows how wonder has engaged productively with that boundary across centuries and languages.’ Sian Echard, Studies in the Age of Chaucer -- .

Author Information

Victoria Flood is Associate Professor in Medieval and Early Modern Literature at the University of Birmingham

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