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9780748616169

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A compelling, demanding and often entertaining discussion of the extensive cultural implications of 'fetishism'! littered with fascinating photographic imagery ! an important contribution to contemporary cultural theory and, more specifically, to the ever growing field of post-human thought ... this work provides fascinating insights into an oft-ignored aspect of human behaviour and culture. The combination of succinct close reading of accessible texts with information gained in interviews and via observation at venues not usually frequented by academics, such as fetish clubs and dungeons is one of the strengths of Fernbach's analysis. Fantasies of Fetishism is an interesting and challenging work that is even more admirable for its explication of sophisticated and original arguments. There is no doubt that this book is a major achievement in opening up new directions for psychoanalytic cultural criticism and studies of contemporary technoculture. -- Zoe Sofoulis, School of Humanities, University of Western Sydney The author has brought together a great deal of thinking that challenges or expands traditional Freudian theory of fetishism and, in effect, thereby creates a new master theory to use in her history. I respect and approve of such bold work. -- Professor John Maynard, School of English, New York University This book provides a genuinely original contribution to cultural criticism. The way Fernbach educates as she entertains is a rare and welcome achievement. -- Dr Rosalyn Diprose, School of Philosophy, University of New South Wales A compelling, demanding and often entertaining discussion of the extensive cultural implications of 'fetishism'! littered with fascinating photographic imagery ! an important contribution to contemporary cultural theory and, more specifically, to the ever growing field of post-human thought ... this work provides fascinating insights into an oft-ignored aspect of human behaviour and culture. The combination of succinct close reading of accessible texts with information gained in interviews and via observation at venues not usually frequented by academics, such as fetish clubs and dungeons is one of the strengths of Fernbach's analysis. Fantasies of Fetishism is an interesting and challenging work that is even more admirable for its explication of sophisticated and original arguments. There is no doubt that this book is a major achievement in opening up new directions for psychoanalytic cultural criticism and studies of contemporary technoculture. The author has brought together a great deal of thinking that challenges or expands traditional Freudian theory of fetishism and, in effect, thereby creates a new master theory to use in her history. I respect and approve of such bold work. This book provides a genuinely original contribution to cultural criticism. The way Fernbach educates as she entertains is a rare and welcome achievement.

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Amanda Fernbach recently received her doctorate in English at the University of New South Wales, Australia and now lives in New York. She has published widely on the subject of fetishism.

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