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9780813946269

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Lively, accessible, perceptive, witty, informative, and entertaining. Osteen's research and scholarship are impeccable. The book offers an excellent gloss on postmodernist pastiche through the lens of 'forgery fictions'--stories about forgery that often verge on, or cross entirely over to, the status of forgeries themselves. --Margaret Russett, University of Southern California, author of Fictions and Fakes: Forging Romantic Authenticity, 1760-1845

Lively, accessible, perceptive, witty, informative, and entertaining. Osteen’s research and scholarship are impeccable. The book offers an excellent gloss on postmodernist pastiche through the lens of ‘forgery fictions’—stories about forgery that often verge on, or cross entirely over to, the status of forgeries themselves. ""—Margaret Russett, University of Southern California, author of Fictions and Fakes: Forging Romantic Authenticity, 1760–1845

Lively, accessible, perceptive, witty, informative, and entertaining. Osteen's research and scholarship are impeccable. The book offers an excellent gloss on postmodernist pastiche through the lens of 'forgery fictions'-stories about forgery that often verge on, or cross entirely over to, the status of forgeries themselves. -Margaret Russett, University of Southern California, author of Fictions and Fakes: Forging Romantic Authenticity, 1760-1845

"Lively, accessible, perceptive, witty, informative, and entertaining. Osteen’s research and scholarship are impeccable. The book offers an excellent gloss on postmodernist pastiche through the lens of ‘forgery fictions’—stories about forgery that often verge on, or cross entirely over to, the status of forgeries themselves. ""—Margaret Russett, University of Southern California, author of Fictions and Fakes: Forging Romantic Authenticity, 1760–1845"

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Mark Osteen, Professor of English and Director of the Center for the Humanities at Loyola University Maryland, is author of Nightmare Alley: Film Noir and the American Dream.

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