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9781138310254

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Given its wide use of literary source material, Faith, Gender and the Senses in Italian Renaissance and Baroque Art will appeal to early modern scholars across a range of disciplines, not only within the history of art. From a strictly practical perspective, the individual chapters will also make for focused reading assignments for the Renaissance and/or Baroque student. The amount of textual and visual evidence consulted is truly impressive, and the study will become a useful source for anyone working on either of these subjects or in gender studies. - CAA Reviews This book brings together a considerable body of research from the authors' PhD dissertations and subsequent articles. It highlights the relationship between two intriguing iconographic subjects, and interprets them in the light of a wide array of visual and documentary sources, to provide a convincing account of the range of readings that images of these episodes might have given rise to in early modern Italy. As such, it is a valuable reference for any scholar of art history of the Renaissance and Baroque periods. - Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies

Given its wide use of literary source material, Faith, Gender and the Senses in Italian Renaissance and Baroque Art will appeal to early modern scholars across a range of disciplines, not only within the history of art. From a strictly practical perspective, the individual chapters will also make for focused reading assignments for the Renaissance and/or Baroque student. The amount of textual and visual evidence consulted is truly impressive, and the study will become a useful source for anyone working on either of these subjects or in gender studies. - CAA Reviews

Author Information

Erin E. Benay is Assistant Professor of Renaissance and Baroque Art at Case Western Reserve University, USA. Lisa M. Rafanelli is Professor of Art History at Manhattanville College, USA.

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