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OverviewA rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art’s biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication—by the artist’s own hand or workshop, as a posthumous creation, or as a preferred practice—and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry. Distributed for the National Gallery of Art, Washington Full Product DetailsAuthor: Daphne S. Barbour , Suzanne Quillen LomaxPublisher: Yale University Press Imprint: Yale University Press Dimensions: Width: 20.30cm , Height: 0.20cm , Length: 28.30cm Weight: 0.680kg ISBN: 9780300247619ISBN 10: 0300247613 Pages: 288 Publication Date: 26 November 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsAuthor InformationDaphne Barbour is senior object conservator and Suzanne Quillen Lomax is senior conservation scientist, both at the National Gallery of Art, Washington. Tab Content 6Author Website:Countries AvailableAll regions |
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