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OverviewBy exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting ‘difficult’ objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for collection policies in museums, which are inclusive of acquiring ‘difficult’ objects. Much of the book engages with the question of the limits to the practice of collecting as a means to think through the implementation of new strategies. Full Product DetailsAuthor: Graeme Were , J. C. H. KingPublisher: Berghahn Books Imprint: Berghahn Books Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.340kg ISBN: 9781782385141ISBN 10: 1782385142 Pages: 248 Publication Date: 01 April 2014 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Figures Extreme Collecting: Dealing with Difficult Objects Graeme Were Part I: Dificult Objects Chapter 1. The Material Culture of Persecution: Collecting for the Holocaust Exhibition at the Imperial War Museum Suzanne Bardgett Chapter 2. Lyricism and Offence in Egyptian Archaeology Collections Stephen Quirke Chapter 3. Contested Human Remains Jack Lohman Chapter 4. Extreme or Commonplace: The Collecting of Unprovenanced Antiquities Kathryn Walker Tubb Chapter 5. Unfit for Society? The Case of the Galton Collection at University College London Natasha McEnroe Part II: Mass Produced Chapter 6. Knowing the New Susan Pearce Chapter 7. T he Global Scope of Extreme Collecting: Japanese Woodblock Prints on the Internet Richard Wilk Chapter 8. A wkward Objects: Collecting, Deploying and Debating Relics Jan Geisbusch Chapter 9. Great Expectations and Modest Transactions: Art, Commodity and Collecting Henrietta Lidchi Part III: Extreme Matters Chapter 10. Extremes of Collecting at the Imperial War Museum 1917-2009: Struggles with the Large and the Ephemeral Paul Cornish Chapter 11. Plastics - Why Not? A Perspective from the Museum of Design in Plastics Susan Lambert Chapter 12. T ime Capsules as Extreme Collecting Brian Durrans Chapter 13. Canning Cans - a Brand New Way of Looking at History Robert Opie in conversation with J.C.H. King Notes on Contributors IndexReviewsWe learn a lot [in this volume] about how museums think and work and by implication the self-representation of societies. * Social Anthropology/Anthropologie sociale ...the chapters are well written and informative...this volume brings us back to the persistent relevance of objects and collecting to museums. Although architecture and community building have taken center stage in museum discourse, this volume reminds us of what museums continue to do: collect. The primacy of objects in making places, museums, memories, and history remains central to their endeavor. * Visual Anthropology Review This collection is an interesting concept, composed of telling case studies over a satisfying range of collecting topics... with some consideration of philosophical and theoretical perspectives. * Linda Young, Deakin University This collection is an interesting concept, composed of telling case studies over a satisfying range of collecting topics... with some consideration of philosophical and theoretical perspectives. * Linda Young, Deakin University We learn a lot [in this volume] about how museums think and work and by implication the self-representation of societies. * Social Anthropology/Anthropologie sociale ...the chapters are well written and informative...this volume brings us back to the persistent relevance of objects and collecting to museums. Although architecture and community building have taken center stage in museum discourse, this volume reminds us of what museums continue to do: collect. The primacy of objects in making places, museums, memories, and history remains central to their endeavor. * Visual Anthropology Review This collection is an interesting concept, composed of telling case studies over a satisfying range of collecting topics... with some consideration of philosophical and theoretical perspectives. * Linda Young, Deakin University Author InformationGraeme Were is Chair of Anthropology at the University of Bristol. His current research focuses on material culture and ethnographic museums; digital heritage and source community engagement; and, ethnomathematics in the Pacific. His recent publications include Lines that Connect: Rethinking Pattern and Mind in the Pacific (University of Hawai’i Press, 2010), and Pacific Pattern, with S. Küchler (Thames & Hudson, 2005). He is a Fellow of the Royal Anthropological Institute and an editor of the Journal of Material Culture. Tab Content 6Author Website:Countries AvailableAll regions |
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