Overview

An exposé of the extractive industries powering globalization--and a primer on fighting back Laleh Khalili reflects on the hidden stories behind late capitalism, from seafarers abandoned on debt-ridden container ships to the nefarious reach of consultancy firms and the cronyism that drives record-breaking profits. Piercing, wry, and constantly revealing, Extractive Capitalism brings vividly to light the dark truths behind the world's most voracious industries. Whether it is pumping oil, mining resources, or shipping commodities across oceans, the global economy runs on extraction. Promises of frictionless trade and lucrative speculation are the hallmarks of our era, but the backbone of globalization is still low-cost labor and rapacious corporate control. Extractive capitalism is what made--and what maintains--our unequal world.

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Laleh Khalili teaches at the University of Exeter. Her books include Sinews of War and Trade: Shipping and Capitalism in the Arabian Peninsula, Heroes and Martyrs of Palestine: The Politics of National Commemoration, and The Corporeal Life of Seafaring. An Iranian American, she received a BS in chemical engineering from the University of Texas and a PhD in political science from Columbia University. She was previously a professor of Middle Eastern politics at the School of Oriental and African Studies at the University of London and a professor of international politics at Queen Mary University, London. An internationally-renowned expert on the oil industry, global trade and geopolitics in the Gulf region with over 43,000 Twitter followers, Professor Khalili has worked as a consultant and an engineer and has written widely on globalization, capital and neocolonialism. She has written for the Washington Post, San Francisco Chronicle, Chicago Tribune, Financial Times, and Agence France-Presse and contributes regularly to London Review of Books. Lameece Issaq is an actor, writer, and cofounder/former artistic director of the Obie Award-winning company Noor Theatre. Lameece has narrated over eighty books, most recently The Adventures of Amina Al-Sirafi, for which she won an AudioFile Earphones Award. She has appeared in several regional and off-Broadway productions, including The Fever Chart and Stuff Happens (Drama Desk Award, Outstanding Ensemble) at the Public Theatre, The Black Eyed at New York Theatre Workshop, and Noura at The Old Globe, among several others. She's written various short plays produced in The New York Arab-American Comedy Festival; as well as short plays Noor & Hadi Go to Hogwarts (Theater Breaking Through Barriers, Golden Thread Theater); Orb Weaver (24/6) and Nooha's List, part of the compilation play Motherhood Outloud (Hartford Stage, The Geffen and Primary Stages). Her full-length play Food and Fadwa (2011 recipient of the Edgerton Foundation New American Play Award) premiered off-Broadway at New York Theatre Workshop in a production she coproduced and starred in, and in which Variety magazine praised her performance as ""stunning."" Food and Fadwa was a part of the Arab Voices Festival in both Abu Dhabi and Beirut and was published in the anthology ""Contemporary Plays By Women of Color,"" second edition. She cowrote the feature film Abe, directed by Fernando Grostein Andrade, which premiered at the 2019 Sundance Film Festival. She starred in her most recent play, A Good Day to Me Not to You, which premiered off-Broadway at the Connelly Theater in 2023 and was produced by Waterwell and Plate Spinner Productions. The play was developed at Williamstown Theatre Festival, New York Theatre Workshop, The Cape Cod Theatre Project, Noor Theatre, and Theatre Aspen's Solo Flights Festival. A 2016 NYFA Finalist in Playwriting/Screenwriting, Lameece is a member of AEA and SAG-AFTRA.

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