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OverviewSharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement's approach flourished internationally and is today hailed as one of the most influential shifts in art history. With leading groups Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele,and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as ""man lowered to the position of a gramophone record of the outer world"", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures. Covering the group's stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity. Full Product DetailsAuthor: Norbert WolfPublisher: Taschen GmbH Imprint: Taschen GmbH Dimensions: Width: 21.00cm , Height: 1.30cm , Length: 26.00cm Weight: 0.585kg ISBN: 9783836505284ISBN 10: 3836505282 Pages: 96 Publication Date: 11 November 2015 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsThis comprehensive overview incorporates an impressive range of reproductions. This comprehensive overview incorporates an impressive range of reproductions. * The Independent * This comprehensive overview incorporates an impressive range of reproductions. * The Independent, London * Author InformationNorbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism. Tab Content 6Author Website:Countries AvailableAll regions |