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9789089647184

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"""[This] rich and extensive collection edited by Giovanna Fossati and Annie Van Den Oever represents a major book that significantly maps and expands perspectives and trajectories in the archaeology and history of technological media, and it represents a thought-provoking reflexion on the digital transition in the archival world."" - Historical Journal of Film, Radio and Television, Andrea Mariani, Università degli Studi di Udine, Italy. 'If dreams come true! The long desired collaboration between film archivists and film scholars has never been as fully realized as in this work, which is, itself, a genuine ""research laboratory."" Adopting an approach that constantly combines fundamental and applied research, the ""materiality of the medium"" is studied here in an entirely novel way. Starting with the digital turn, the essential problems of technique and technology have (finally!) returned to academic zeitgeist. Not surprising since the digital, which transformed our habits and customs as spectators and researchers, promotes a daily hands-on contact, producing a shockwave in the process. By ""bridging archival and scholarly work on film apparatus"" and recognizing the impact of the material turn (see the Introduction), Exposing the Film Apparatus will undoubtedly contribute to the upheaval of research methods and practices in cinema. ' -- André Gaudreault, Canada Research Chair in Cinema and Media Studies, Université de Montréal. 'We are only a handful of decades into the adventure of moving images, yet already there are so many common misunderstandings about the contexts in which and for which they have been produced. This is in large part because we neglect the technologies of moving image production. This excellent collection fizzes with new approaches to understanding the apparatuses of cinema. These machines once gave life to images; now it must be our mission to give life back to these machines.' -- John Ellis, Professor of Media Arts, Royal Holloway University of London. ""This eclectic series of essays avoids the danger of prescribing how we each experience but more likely use the moving image, whilst providing a matrix of approaches to thinking about how and why those experiences are the way they are. As such, they will engage graduate and post-graduate audiences."" - Mike Leggett, Leonardo Reviews ""The 29 contributions in Exposing the Film Apparatus are dedicated to detailed qualitative studies, which aim to explore rather than synthesise."" - Fotografie und Film, original review in German ""A collection [of essays] that emphasises the importance of preservation"" - Boekman reviews, original review in Dutch"

[This] rich and extensive collection edited by Giovanna Fossati and Annie Van Den Oever represents a major book that significantly maps and expands perspectives and trajectories in the archaeology and history of technological media, and it represents a thought-provoking reflexion on the digital transition in the archival world. - Historical Journal of Film, Radio and Television, Andrea Mariani, Universit� degli Studi di Udine, Italy.[-][-] [-][-]'If dreams come true! The long desired collaboration between film archivists and film scholars has never been as fully realized as in this work, which is, itself, a genuine research laboratory. Adopting an approach that constantly combines fundamental and applied research, the materiality of the medium is studied here in an entirely novel way. Starting with the digital turn, the essential problems of technique and technology have (finally!) returned to academic zeitgeist. Not surprising since the digital, which transformed our habits and customs as spectators and researchers, promotes a daily hands-on contact, producing a shockwave in the process. By bridging archival and scholarly work on film apparatus and recognizing the impact of the material turn (see the Introduction), Exposing the Film Apparatus will undoubtedly contribute to the upheaval of research methods and practices in cinema. ' -- Andr� Gaudreault, Canada Research Chair in Cinema and Media Studies, Universit� de Montr�al. [-][-] [-][-]'We are only a handful of decades into the adventure of moving images, yet already there are so many common misunderstandings about the contexts in which and for which they have been produced. This is in large part because we neglect the technologies of moving image production. This excellent collection fizzes with new approaches to understanding the apparatuses of cinema. These machines once gave life to images; now it must be our mission to give life back to these machines.' -- John Ellis, Professor of Media Arts, Royal Holloway University of London. [-][-] [-][-] This eclectic series of essays avoids the danger of prescribing how we each experience but more likely use the moving image, whilst providing a matrix of approaches to thinking about how and why those experiences are the way they are. As such, they will engage graduate and post-graduate audiences. - Mike Leggett, Leonardo Reviews[-][-] [-][-] The 29 contributions in Exposing the Film Apparatus are dedicated to detailed qualitative studies, which aim to explore rather than synthesise. - Fotografie und Film, original review in German[-][-] [-][-] A collection [of essays] that emphasises the importance of preservation - Boekman reviews, original review in Dutch

If dreams come true! The long desired collaboration between film archivists and film scholars has never been as fully realized as in this work, which is, itself, a genuine 'research laboratory.'Adopting an approach that constantly combines fundamental and applied research, the 'materiality of the medium'is studied here in an entirely novel way. Starting with the digital turn, the essential problems of technique and technology have (finally!) returned to the academic zeitgeist. --Andre Gaudreault, Universite de Montreal

'If dreams come true! The long desired collaboration between film archivists and film scholars has never been as fully realized as in this work, which is, itself, a genuine research laboratory. Adopting an approach that constantly combines fundamental and applied research, the materiality of the medium is studied here in an entirely novel way. Starting with the digital turn, the essential problems of technique and technology have (finally!) returned to academic zeitgeist. Not surprising since the digital, which transformed our habits and customs as spectators and researchers, promotes a daily hands-on contact, producing a shockwave in the process. By bridging archival and scholarly work on film apparatus and recognizing the impact of the material turn (see the Introduction), Exposing the Film Apparatus will undoubtedly contribute to the upheaval of research methods and practices in cinema. ' -- Andre Gaudreault, Canada Research Chair in Cinema and Media Studies, Universite de Montreal. [-][-] [-][-]'We are only a handful of decades into the adventure of moving images, yet already there are so many common misunderstandings about the contexts in which and for which they have been produced. This is in large part because we neglect the technologies of moving image production. This excellent collection fizzes with new approaches to understanding the apparatuses of cinema. These machines once gave life to images; now it must be our mission to give life back to these machines.' -- John Ellis, Professor of Media Arts, Royal Holloway University of London.

Author Information

Giovanna Fossati is the chief curator of Eye Filmmuseum and professor of Film Heritage and Digital Film Culture at the University of Amsterdam. Annie van den Oever is a Professor of Film at the University of Groningen and a Senior Research Associate at the University of Johannesburg (since March 2024). Recent books: Doing Experimental Media Archaeology. Theory(De Gruyter, 2022, with Andreas Fickers); and Visual Media, Distortions, and the Grotesque as a Dominant Format Today (AUP 2024, forthcoming).

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