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9781350383517

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The book we’ve been wanting on narrative experimentation and black diaspora women’s writing. * Nicole King, University of Oxford, UK. *

""The book we've been wanting on narrative experimentation and black diaspora women's writing."" --Nicole King, University of Oxford, UK.

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Jean Wyatt is Professor Emeritus of English at Occidental College, USA. Her previous publications include Love and Narrative Form in Toni Morrison’s Later Novels (2017) and, with Sheldon George, she edited Reading Contemporary Black British and African American Women Writers (2020). Her articles include: “Freud, Laplanche, Leonardo: Sustaining Enigma” American Imago (2019); ""Reinventing the Gothic in Helen Oyeyemi’s 'White is for Witching': Maternal Ethics and Racial Politics,” in Reading Contemporary Black British and African American Women Writers; “Dislocating the Reader: Slave Motherhood and the Disrupted Temporality of Trauma in Toni Morrison’s Beloved,” in The Cambridge Companion to Literature and Psychoanalysis (ed.Vera Camden, 2022); and “Mirror Mirror: The Visual Economy of Race in Helen Oyeyemi’s Boy, Snow, Bird,” and “Alter Egos in Nella Larsen’s Passing and Helen Oyeyemi’s Boy, Snow, Bird: Race and Dissociation” for Angelaki. Sheldon George is Professor of Africana Studies at University of Massachusetts, Boston. His scholarship focuses on race and racism through a study of culture, literature and theory. George is an associate editor of Psychoanalysis, Culture and Society and chair of the MLA Executive Committee for the forum, Psychology, Psychoanalysis and Literature. He is author of Trauma and Race: A Lacanian Study of African American Racial Identity (2016); co-editor, with Derek Hook, of Lacan and Race: Racism, Identity, and Psychoanalytic Theory (2021); and co-editor, with Jean Wyatt, of Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form (2020).

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