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OverviewFull Product DetailsAuthor: Anja Kanngieser , Dr. Mark Boyle , Professor Donald Mitchell , Dr. David PinderPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 1.30cm , Length: 23.40cm Weight: 0.476kg ISBN: 9781409440642ISBN 10: 1409440648 Pages: 188 Publication Date: 02 October 2013 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'This is an important book. It is important because it provides a persuasive argument for the ongoing creativity and pleasure involved in the continual transformation of the world through productive, performative encounters. We're so often reminded of the invincibility of capitalism and the inevitability of the way things are. What this book brilliantly shows is that the ""way things are"" is already better than you might think thanks to a multitude of encounters in realms of politics, education, work and leisure that are already doing things differently and, importantly, with pleasure. In the era of the Arab Spring and Occupy, Kanngieser provides a timely reminder of the political potential and actuality of doing things otherwise. What could be more important than that?' Tim Cresswell, Northeastern University, USA 'Beware! This book is not just another orderly, academic, art historical domestication of radical political practices. Not only does it represent some of the most current performative encounters as molecules of radical transformation, it becomes itself a component of inventing a new composition of art and revolutionary machines.' Gerald Raunig, Zurich University for the Arts, Switzerland 'This is an important book. It is important because it provides a persuasive argument for the ongoing creativity and pleasure involved in the continual transformation of the world through productive, performative encounters. We're so often reminded of the invincibility of capitalism and the inevitability of the way things are. What this book brilliantly shows is that the way things are is already better than you might think thanks to a multitude of encounters in realms of politics, education, work and leisure that are already doing things differently and, importantly, with pleasure. In the era of the Arab Spring and Occupy, Kanngieser provides a timely reminder of the political potential and actuality of doing things otherwise. What could be more important than that?'Tim Cresswell, Northeastern University, USA'Beware! This book is not just another orderly, academic, art historical domestication of radical political practices. Not only does it represent some of the most current performative encounters as molecules of radical transformation, it becomes itself a component of inventing a new composition of art and revolutionary machines.'Gerald Raunig, Zurich University for the Arts, Switzerland 'This is an important book. It is important because it provides a persuasive argument for the ongoing creativity and pleasure involved in the continual transformation of the world through productive, performative encounters. We're so often reminded of the invincibility of capitalism and the inevitability of the way things are. What this book brilliantly shows is that the way things are is already better than you might think thanks to a multitude of encounters in realms of politics, education, work and leisure that are already doing things differently and, importantly, with pleasure. In the era of the Arab Spring and Occupy, Kanngieser provides a timely reminder of the political potential and actuality of doing things otherwise. What could be more important than that?' Tim Cresswell, Northeastern University, USA 'Beware! This book is not just another orderly, academic, art historical domestication of radical political practices. Not only does it represent some of the most current performative encounters as molecules of radical transformation, it becomes itself a component of inventing a new composition of art and revolutionary machines.' Gerald Raunig, Zurich University for the Arts, Switzerland Author InformationAnja Kanngieser, Royal Holloway, University of London, UK Tab Content 6Author Website:Countries AvailableAll regions |
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