Experimental Filmmaking: BREAK THE MACHINE

Author:   Kathryn Ramey
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138898172


Pages:   416
Publication Date:   14 August 2015
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Experimental Filmmaking: BREAK THE MACHINE


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Full Product Details

Author:   Kathryn Ramey
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 19.10cm , Height: 2.30cm , Length: 23.50cm
Weight:   0.930kg
ISBN:  

9781138898172


ISBN 10:   1138898171
Pages:   416
Publication Date:   14 August 2015
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Clearly, Kathryn Ramey is committed to creating a new generation of experimental filmmakers who are equipped with the tools and the intellectual savvy to be great artists and thinkers. This book provides both novice and veteran filmmakers with the momentum and the muscle to work with the moving image in their own homes. Ramey's voice is confident and encouraging. She tells us how to transform our domestic universe into a studio where great things will happen when the lights are on and off. - Lynne Sachs, Filmmaker and Recipient of a 2014 Guggenheim Foundation Fellowship in the Creative Arts. Kathryn Ramey's Experimental Filmmaking is many things at once: a homespun, one-on-one personal primer (like Stan Brakhage's pioneering Moving Picture Giving and Taking Book ); a plainspoken how-to technical manual (like Lenny Lipton's essential books of the 70's); a compendium of interviews with a variety of experimental filmmakers about their practice and process (like Scott MacDonald's invaluable A Critical Cinema series); and a celluloid cookbook, very much in the spirit and letter of Helen Hill's Recipes for Disaster. Both retro (including - at long last - a perfectly realized JK optical printer manual) and au courant (digital glitching techniques, etc.), Experimental Filmmaking most of all celebrates and encourages creative adventure with alternative approaches to filmmaking, and offers us recipes, roadmaps, directions, and countless helpful hints as to how to create your own alchemy. This very useful and engaging book of sprocketed (and pixeled) revelations has arrived on our doorsteps, it seems to me, right on time... I Second That Emulsion! Back to the Future! - Phil Solomon, Professor in the Film Studies Program at the University of Colorado at Boulder


Clearly, Kathryn Ramey is committed to creating a new generation of experimental filmmakers who are equipped with the tools and the intellectual savvy to be great artists and thinkers. This book provides both novice and veteran filmmakers with the momentum and the muscle to work with the moving image in their own homes. Ramey's voice is confident and encouraging. She tells us how to transform our domestic universe into a studio where great things will happen when the lights are on and off. - Lynne Sachs, Filmmaker and Recipient of a 2014 Guggenheim Foundation Fellowship in the Creative Arts. Kathryn Ramey's Experimental Filmmaking is many things at once: a homespun, one-on-one personal primer (like Stan Brakhage's pioneering Moving Picture Giving and Taking Book); a plainspoken how-to technical manual (like Lenny Lipton's essential books of the 70's); a compendium of interviews with a variety of experimental filmmakers about their practice and process (like Scott MacDonald's invaluable A Critical Cinema series); and a celluloid cookbook, very much in the spirit and letter of Helen Hill's Recipes for Disaster. Both retro (including - at long last - a perfectly realized JK optical printer manual) and au courant (digital glitching techniques, etc.), Experimental Filmmaking most of all celebrates and encourages creative adventure with alternative approaches to filmmaking, and offers us recipes, roadmaps, directions, and countless helpful hints as to how to create your own alchemy. This very useful and engaging book of sprocketed (and pixeled) revelations has arrived on our doorsteps, it seems to me, right on time... I Second That Emulsion! Back to the Future! - Phil Solomon, Professor in the Film Studies Program at the University of Colorado at Boulder


Author Information

Kathryn Ramey is a filmmaker and anthropologist whose work operates at the intersection of experimental film processes and ethnographic research. Her award-winning and strongly personal films are characterized by the manipulation of celluloid, including hand-processing, optical printing, and various direct animation techniques, and have been screened at film festivals and other venues around the world. Kathryn is an associate professor of filmmaking at Emerson College’s Department of Visual and Media Arts in Boston, MA.

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