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Full Product Details

Author:   Matthew Reason (York St John University, UK) ,  Anja Mølle Lindelof (Roskilde University, Denmark)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367513566

ISBN 10:   0367513560
Pages:   320
Publication Date:   30 June 2020
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents Introduction: Experiencing Liveness in Contemporary Performance Matthew Reason and Anja Mølle Lindelof Part 1: Audiencing Section Introduction: Matthew Reason and Anja Mølle Lindelof Chapters Coming (a)live: A Prolegomenon to any Future Research on ‘Liveness’ Martin Barker Orange Dogs and Memory Responses: Creativity in Spectating and Remembering Katja Hilevaara Fandom, Liveness and Technology at Tori Amos Music Concerts: Examining the Movement of Meaning within Social Media Use Lucy Bennett Social and Online Experiences: Shaping Live Listening Expectation in Classical Music Stephanie E. Pitts The Meaning of Lived Experience Paddy Scannell Affect and Experience Matthew Reason Shorts Live Art, Death Threats: The Theatrical Antagonism of First Night Alexis Soloski Attention as a Tension: Affective Experience between Performer and Audience in the Live Encounter Victoria Gray Empathy and Resonant Relationships in Performance Art Lynn Lu Embodied Traces: Co-presence, Kinaesthesia and Bodily Inscription Imogene Newland An Experience of Becoming: Wearing a Tail and Alpine Walking Catherine Bagnall Sisters Academy: Radical Live Intervention into the Educational System Gry Worre Halberg One-to-One Performance: Who’s in Charge? Sarah Hogarth and Emma Bramley A Performatic Archive Kerrie Reading Theatre of Bone Rebecca Schneider Part 2: Materialising Section Introduction: Matthew Reason and Anja Mølle Lindelof Chapters What is a Live Event? Gary Peters Improvising Music Experience: The Eternal Ex-temporisation of Music Made Live Steve Tromans The Place of Performance: A Critical Historiography on the Topos of Time Jonah Westerman Objectifying Liveness: Labour, Agency and the Body in the 11 Rooms Exhibition Lisa Newman Reconsidering Liveness in the Age of Digital Implication Eirini Nedelkopoulou Environmental Performance: Framing Time Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo Shorts Three Performances: A Virtual (Musical) Improvisation Mathias Maschat and Christopher Williams Chronography Craig Dworkin Memory, Time and Self: A Text Work based on a Conceptual Performance Paul Forte Broken Magic: The Liveness of Loudspeakers Dugal McKinnon Managing Live Audience Attention in the Age of Digital Mediation: The Good, The God and The Guillotine: Martin Blain Enlivened Serendipity Allen S. Weiss National Theatre Wales’s Coriolan/us: A ‘Live Film’ Mike Pearson Machines in Queer Gardens: Performance as Mixed Surreality Judd Morrissey and Mark Jeffery Afterword So Close and Yet So Far Away: The Proxemics of Liveness Philip Auslander List of Contributors Index

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Author Information

Matthew Reason is Professor of Theatre and Performance at York St John University, UK. Anja Mølle Lindelof is Assistant Professor of Performance Design at Roskilde University, Denmark.

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