Overview

Over the centuries, drama has been an influential and imaginative medium for presenting, analysing and offering ways of resolving real or fictional battles. This volume provides readers with a timely study of inter-generational conflicts and crises as seen through the eyes of male and female British and Irish playwrights from the medieval period to the twenty-first century. The contributions suggest that at the heart of inter-generational discord lies various crises between (the) age(d) and youth or, more generally, the idea of what is «old» and «new». The interaction and co-existence of age and youth in their embodied, symbolic or conceptual forms is the topic of this volume. The collection is built around the words «age(d)»/«young», which denote both the biological age of the characters and the more conceptual potential of these terms. Ultimately, the contributors to this collection of essays analyse not only the idea of inter-generationality within selected dramatic works but also inter-generational conflicts seen in clashes of cultures, artistic visions, concepts and aesthetic idea(l)s.

Full Product Details

Author:   Katarzyna Bronk-Bacon
Publisher:   Peter Lang International Academic Publishers
Imprint:   Peter Lang International Academic Publishers
Edition:   New edition
Weight:   0.571kg
ISBN:  

9781788741620

ISBN 10:   1788741625
Pages:   342
Publication Date:   11 April 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

CONTENTS: Jamie Beckett: Fergus and the Virgin in Late Medieval York: Spectators and Inter-Generational Conflict – Nizar Zouidi: «My Father is Deceas’d»: Kingship, Patriarchy and Inter-Generational Conflicts in Edward II by Christopher Marlowe – Murat Oğutcu: Of Fathers and Sons: Inter-Generational and Intrafamilial Loyalties and Conflict in Shakespeare’s Elizabethan History Plays – Ozge Ozkan-Gurcu: Once upon a Time Admired, Now Disregarded: Paternal Anguish and Loss of Authority with Old Age in The Merchant of Venice and King Lear – Katarzyna Bronk-Bacon: Lessons on Age(ing): Inter-Generational and Intrafamilial Conflict in Thomas Shadwell’s The Squire of Alsatia, Susanna Centlivre’s Love at a Venture and James Miller’s The Man of Taste – Maire MacNeill: Fashionable Confrontations: Decoding The Conscious Lovers – Jess Hamlet: «Not of an Age, but for All Time»: Intergenerational Reflections of Shakespeare in Civil War Virginia – Wei H. Kao: The Anglo-Irish Big House and War Memories in Three Plays – Takeshi Kawashima: John Osborne’s Look Back in Anger and Inter-Generational Discontinuity – Onder Cakırtaş:10 Semi-Patriographic and Pathographic Beckett: The Politics of Son’s Writing Father and Family in Endgame – Christian Jimenez: After such Knowledge: Ageing as Agency and Agony in Harold Pinter’s The Caretaker – Lisa Siefker Bailey: «Trans» Generations in Caryl Churchill’s Cloud Nine – Deirdre O’Leary: Discrepancies of Embodiment: The Ageing Body and Fraught Familial Narratives in Two Plays by Enda Walsh – Victoria Pettersen Lantz: «Your Generation Curse»: Kwame Kwei-Armah’s Staging of West Indian Fatherhood in Britain.

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Author Information

Katarzyna Bronk-Bacon is Assistant Professor in the Faculty of English, Adam Mickiewicz University in Poznan, Poland. She teaches the History of English Literature but specialises in Restoration theatre and drama. She has been exploring representations and dramatisations of ageing and old age and her current research on the matters of senescence, titled «Embodied sites of memory? Investigations into the definitions and representations of old age and ageing in English drama between 1660 and 1750», is supported by a grant from the Polish National Science Centre. She is the author of the monograph «And Yet I Remember»: Ageing and Old(er) Age in English Drama between 1660 and the 1750s (Peter Lang, 2019).

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