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OverviewFull Product DetailsAuthor: Shirley ReadPublisher: Taylor & Francis Ltd Imprint: Focal Press Edition: 2nd edition Dimensions: Width: 18.90cm , Height: 2.50cm , Length: 24.60cm Weight: 0.900kg ISBN: 9780240820613ISBN 10: 0240820614 Pages: 428 Publication Date: 17 June 2013 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Chapter 1: Exhibiting Photography Chapter 2: Your Resources File Case Study 1: The Degree Show Chapter 3: Archival Concerns Chapter 4: The Transition from Making Work to Showing It Case Study 2: Working Collaboratively-Creative Communities and Dialogues Chapter 5: Alternatives: Looking for Independent Exhibition Spaces Chapter 6: Doing It Yourself Case Study 3: TRACE Chapter 7: Approaching a Gallery Chapter 8: The Curator's Role Case Study 4: A Gallery and A Curation-Joy Gregory at Impressions Gallery Chapter 9: Title TBD Chapter 10: Forward Planning and Research Chapter 11: Exhibition Texts Chapter 12: Publicity Materials Case Study 5: Dutch Photography Centres Chapter 13: Mailing Lists and Audiences Chapter 14: Thinking About Presentation Case Study 6: Troika Editions: How To Start and Online Gallery Chapter 15: Using the Exhibition Space Chapter 16: The Practical Issues of Presentation Case Study 7: Exhibiting Online Chapter 17: Printing for Exhibition Chapter 18: Pricing and Selling Work Case Study 8: The Quest for a Digital Gallery Chapter 19: Hanging the Show Chapter 20: The Private View Chapter 21: After the Private View Chapter 22: In Conclusion Appendix: Checklists The Resources File Offering Feedback An Exhibiting CV The Timetable The Budget The Press Release The Invitation Card Paper Sizes The Toolkit The Hanging Sequence Organizing Teams Photo Festivals Possible Pitfalls of Exhibiting Avoiding the Pitfalls BibliographyReviewsThere is a crying need for a business perspective to the contemporary creative arts. My colleagues in the professional world rightly despair at the progressive reduction in confidence and breadth of knowledge of those wishing to enter the world of commerce. -Geoff Clark, photographer and exhibitor with 40 years' experience there is a crying need for a business perspective to the contemporary creative arts. My colleagues in the professional world rightly despair at the progressive reduction in confidence and breadth of knowledge of those wishing to enter the world of commerce. Geoff Clark There is a crying need for a business perspective to the contemporary creative arts. My colleagues in the professional world rightly despair at the progressive reduction in confidence and breadth of knowledge of those wishing to enter the world of commerce. -Geoff Clark, photographer and exhibitor with 40 years' experience There is a crying need for a business perspective to the contemporary creative arts. My colleagues in the professional world rightly despair at the progressive reduction in confidence and breadth of knowledge of those wishing to enter the world of commerce. -Geoff Clark, photographer and exhibitor with 40 years' experience """There is a crying need for a business perspective to the contemporary creative arts. My colleagues in the professional world rightly despair at the progressive reduction in confidence and breadth of knowledge of those wishing to enter the world of commerce."" -Geoff Clark, photographer and exhibitor with 40 years' experience ""There is a crying need for a business perspective to the contemporary creative arts. My colleagues in the professional world rightly despair at the progressive reduction in confidence and breadth of knowledge of those wishing to enter the world of commerce."" Geoff Clark" Author InformationShirley Read Tab Content 6Author Website:Countries AvailableAll regions |