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OverviewIn her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colony, and an important stage in modernizing and negotiating cultural and social conditions in the colony. The Dutch Pavilion at the 1931 colonial exhibition became a moment when the Indies heritages played a role in marking colonial territory. Modern ethnographic park of Taman Mini gives a way to the making of an official ‘authentic’ culture and suppresses the previous Dutch construction of the Indies culture. Full Product DetailsAuthor: Yulia Nurliani LukitoPublisher: Springer Fachmedien Wiesbaden Imprint: Springer VS Edition: 1st ed. 2016 Dimensions: Width: 14.80cm , Height: 1.20cm , Length: 21.00cm Weight: 2.753kg ISBN: 9783658116040ISBN 10: 3658116048 Pages: 192 Publication Date: 29 October 2015 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsPasar Gambir of Batavia: Hybrid Architecture and Space of Encounter for the Indies People.- The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticity and Modernity.- Taman Mini Indonesia Indah: the Rebirth of Indonesian Vernacular Architecture after Independence.ReviewsAuthor InformationYulia Nurliani Lukito received her doctorate degree in Theory of Architecture from RWTH Aachen. Her research interests are theory and history of architecture, modernity, and Indonesian vernacular architecture. Tab Content 6Author Website:Countries AvailableAll regions |
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