Exhibiting Italian Art in the United States from Futurism to Arte Povera: 'Like a Giant Screen'

Author:   Raffaele Bedarida
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032081298


Pages:   228
Publication Date:   28 June 2022
Format:   Hardback
Availability:   In Print   Availability explained
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Exhibiting Italian Art in the United States from Futurism to Arte Povera: 'Like a Giant Screen'


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Author:   Raffaele Bedarida
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.720kg
ISBN:  

9781032081298


ISBN 10:   1032081295
Pages:   228
Publication Date:   28 June 2022
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction 1. (Prelude): ""I Will Smash The Alps of the Atlantic:"" Futurist Depero and Italian Americanism 2. Exporting Fascist Culture / Importing American Modernity 3. MoMA and the Post-War Rehabilitation of Italy 4. Tu Vuo Fa l’Americano: Catherine Viviano, Irene Brin, and Italian Art’s Conquest of Hollywood 5. Transatlantic Arte Povera: The Trojan Horse of Germano Celant

Reviews

Bedarida's analysis has the merit of putting works and facts at the center, with a first-hand archival excavation work on largely unexplored sources, through which he revises discourses and narratives that are dominant or have been consolidated by critical laziness. Against such narratives, the author emphasizes the porosity of his story, opening up ample margins for further study. [...] Indeed [Bedarida] provides a revised method by insisting on the need for 'different scales' of approach and evaluation, beyond competitions or hierarchies to be established in one [national school] or the other. --La Diana


"""Bedarida's analysis has the merit of putting works and facts at the center, with a first-hand archival excavation work on largely unexplored sources, through which he revises discourses and narratives that are dominant or have been consolidated by critical laziness. Against such narratives, the author emphasizes the porosity of his story, opening up ample margins for further study. [...] Indeed [Bedarida] provides a revised method by insisting on the need for 'different scales' of approach and evaluation, beyond competitions or hierarchies to be established in one [national school] or the other."" --La Diana"


Author Information

Raffaele Bedarida is an Associate Professor of Art History at The Cooper Union, New York, where he directs the History and Theory of Art program.

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