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OverviewFull Product DetailsAuthor: Andre Lepecki (Tisch School of the Arts, New York University, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.460kg ISBN: 9780415362535ISBN 10: 0415362539 Pages: 160 Publication Date: 09 December 2005 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction: The Political Ontology of Movement 2. Masculinity, Solipsism, Choreography: Bruce Nauman, Juan Dominguez, Xavier Le Roy 3. Choreography’s 'Slower Ontology': Jérôme Bel’s Critique of Representation 4. Toppling Dance: The Making of Space in Trisha Brown and La Ribot 5. Stumbling Dance: William Pope L.’s crawls 6. The Melancholic Dance of the Post-Colonial Spectral: Vera Mantero Summoning Josephine Baker 7. Concluding Note: Exhausting Dance - To be Done with the Vanishing Point References IndexReviews'In this book Andre Lepecki aims to bring dance studies up to speed with an extensive examination of a diverse group of contemporary choreographers who since the early 1990s have explored the mobilising potentialalities of standing still.' - Dance Theatre Journal 'Lepecki is at his best when describing the work and engaging with its curious circumstances and contingencies.' - Michal Sapir, writer, academic and musician, London 'musings on loss and rage, colonialist pasts, ghostly knockings, and white melancholia offer the reader productive strategies for responding to performances' - Thomas F. DeFrantz, The Dance Review 'In this book Andre Lepecki aims to bring dance studies up to speed with an extensive examination of a diverse group of contemporary choreographers who since the early 1990s have explored the mobilising potentialalities of standing still.' - Dance Theatre Journal 'Lepecki is at his best when describing the work and engaging with its curious circumstances and contingencies.' - Michal Sapir, writer, academic and musician, London 'musings on loss and rage, colonialist pasts, ghostly knockings, and white melancholia offer the reader productive strategies for responding to performances' - Thomas F. DeFrantz, The Dance Review Author InformationAndré Lepecki is Full Professor and Chairperson of the Department of Performance Studies at the Tisch School of the Arts, New York University. Tab Content 6Author Website:Countries AvailableAll regions |
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