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Author:   Marianne Kleibrink
Publisher:   BAR Publishing
Imprint:   BAR Publishing
Dimensions:   Width: 21.00cm , Height: 2.10cm , Length: 29.70cm
Weight:   1.224kg
ISBN:  

9781407315423

ISBN 10:   1407315420
Pages:   307
Publication Date:   29 March 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

PREFACE CHAPTER I LABYRINTHS OR SWASTIKAS? AN ICONOLOGY OF THE LOOM WEIGHTS FROM THE TIMPONE DELLA MOTTA 1.1. Introduction 1.2. Labyrinths 1.3. Swastikas 1.4. Oenotrian solar symbolism and objects found at Francavilla Marittima 1.5. The role of the horse CHAPTER II SPINNING AND WEAVING UTENSILS FROM THE EXCAVATIONS ZANCANI MONTUORO -STOOP 1963-'69 2.1. Objects from Macchiabate tombs excavated 1963-'69: introduction 2.2. Catalogue I: spinning and weaving utensils from Macchiabate 2.2.1. Graves excavated by Zancani Montuoro containing spindle whorls and loom weights 2.2.2. Clusters with loom weights listed by Zancani Montuoro under bis 2.2.3. Assemblages of textile utensil parts from among the stone cairns 2.3. Textile-related objects from the Scavi Stoop 1963-'69: introduction 2.4. Catalogue II: weaving and spinning material found by M. W. Stoop CHAPTER III CONTEXT OF THE LARGE TRAPEZOIDAL, DECORATED LOOM WEIGHTS 3.1. Introduction 3.2. Short remarks on the successive Buildings V 3.2.1. Building V.b (first threequarters of the 8th century BC) 3.2.2. Building V.c (725-650 BC) 3.2.3. Building V.d (650/40-600 BC) 3.2.4. Building V.e (6th century BC) 3.3. Stratigraphic units with large trapezoidal loom weights 3.3.1. Catalogue III: finds from Stratigraphic Units AC02.30, .29, .31, .32 3.3.2. Catalogue IV: finds from Stratigraphic Units AC04.30 and AC04.31 3.3.3. Catalogue V: finds from Stratigraphic Units AC15.10, .20, .23, AC18.13, .14 and AC18A.14 CHAPTER IV WEAVING TECHNIQUE; TYPOLOGY AND CATALOGUE OF THE LARGE, DECORATED LOOM WEIGHTS 4.1. Introduction 4.2. The weights, the loom and weaving technique 4.3. Typological analysis 4.4. Type A. Meander-swastika with four arms 4.5. Type B. Short hooks turning clockwise 4.6. Type C. Two interlaced meandering arms 4.7. Type D. Inscribed frames around a central reserved area 4.8. Type E. A true meander framing a reserved area in the centre or rows of meanders around a centre 4.9. Type F. Various patterns with a small reserved central area and a rectangular base composition underneath 4.10. Large, plain trapezoidal loom weights 4.11. Specimens and fragments without typology CHAPTER V SMALL-SIZED TRAPEZOIDAL LOOM WEIGHTS 5.1. Introduction and find contexts 5.2. Catalogue: cord-impression weights CHAPTER VI TRUNCATED-PYRAMIDAL AND PYRAMIDAL LOOM WEIGHTS 6.1. With vertical suspension hole 6.1.1. Introduction and find contexts 6.1.2. Catalogue 6.2. With horizontal suspension hole 6.2.1. Introduction and find contexts 6.2.2. Catalogue CHAPTER VII CONICAL LOOM WEIGHTS 7.1. Introduction and find contexts 7.2. Catalogue CHAPTER VIII SMALL PINCHED WEIGHTS 8.1. With horizontal suspension hole 8.1.1. Introduction and context 8.1.2. Catalogue 8.2. Pinched weights, vertically and horizontally pierced 8.2.1. Introduction and find contexts 8.2.2. Catalogue 8.3. Pinched weights, large decorated specimens BIBLIOGRAPHY

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Author Information

Marianne Kleibrink studied Archaeology and Art History at Leiden University in the 1960s. Her doctoral thesis, judged a 'cum laude', was on the ancient-gem collection of The Hague0pt;font-family:""Arial"",sans-serif; color:black'>'0pt;mso-ascii-font-family:Calibri; mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri;color:black'>s Coin Cabinet (now in the National Archaeological Museum, Leiden). She was conservator of ancient coins and assistant lecturer at Leiden University, and in 1976 was nominated the Chair of Classical Archaeology at Groningen University. She directed excavations at Satricum (Lazio) from 1979 to 1991, and from 1991 to 2004 at Francavilla Marittima (Calabria). Her publications comprise books and articles associated with the mentioned excavations and on engraved gems, ancient sculpture and the iconography of ancient myth.

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