Evidence and the Archive: Ethics, Aesthetics and Emotion

Author:   Katherine Biber ,  Trish Luker (University of Technology, Sydney, Australia)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138210325


Pages:   178
Publication Date:   04 October 2016
Format:   Hardback
Availability:   In Print   Availability explained
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Evidence and the Archive: Ethics, Aesthetics and Emotion


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Author:   Katherine Biber ,  Trish Luker (University of Technology, Sydney, Australia)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 17.40cm , Height: 1.50cm , Length: 24.60cm
Weight:   0.490kg
ISBN:  

9781138210325


ISBN 10:   1138210323
Pages:   178
Publication Date:   04 October 2016
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Katherine Biber is a legal scholar, historian and criminologist and Professor of Law at the University of Technology Sydney. She researches in the field of evidence, criminal procedure, visual culture and documentation. She is author of Captive Images: Race, Crime, Photography (2007) and the forthcoming In Crime’s Archive: The Cultural Afterlife of Evidence (2017). She is co-editor of The Lindy Chamberlain Case: Nation, Law, Memory (2009), and an editor of the Oxford Research Encyclopedia of Crime, Media and Popular Culture (forthcoming). Trish Luker is based in the Faculty of Law, University of Technology Sydney. Her research focus is in interdisciplinary studies of law and the humanities, particularly in relation to documentary practices and evidence law. She is a co-editor of Australian Feminist Judgments: Righting and Rewriting Law (2014). She is currently working on a project entitled ‘The Court as Archive: Rethinking the Institutional Role of Federal Courts of Record’. During 2016, together with Katherine Biber, she will begin a project entitled ‘What is a Document? Evidentiary Challenges in the Digital Age’.

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