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Wildly ambitious, far exceeding the author's modest description of it as 'the story of piano lessons.' . . . [Jeremy] Denk writes feelingly on the artist's self-dramatization, the formation of a self . . . the conviction that you have something special to contribute to the appreciation of what you are performing, grasping whatever gives you the audacity to present yourself before the public. These are as much the subject of the book as its ostensible subject, piano lessons; these are life lessons. -Simon Callow, The New York Review of Books Lucid and bittersweet . . . Like Bach, whose 'Goldberg Variations' he has recorded with great rigor and warmth, Denk knows how to spin rich counterpoint out of multiple lines. And like Mozart, who with a harmonic sleight of hand can find the sublime in mere scales, Denk knows how to make art out of 'a love for the steps, the joys of growing and outgrowing and being outgrown.' -The New York Times This one-of-a-kind musical autobiography by one of our most brilliant and perceptive classical musicians is part illumination of the essence of the musical discourse and part deeply personal, sometimes painful, sometimes hilarious confession of the long and tortuous road to maturity and mastery of a sublime art. Denk's teachers, alternately inspiring, exasperating, demanding, adoring, and deploring, are evoked in delicious detail in a book that is as sophisticated as a Bach fugue and as American as Tater Tots and Kmart. -John Adams, composer Sometimes you read the first paragraph and know you'll read to the end. They say writing about music is like dancing about architecture. Jeremy Denk's book reminds us that dancing about architecture sounds sort of great. -John Jeremiah Sullivan, author of Pulphead Among the many virtues of this funny and moving book-its frankness, its generous preservation of wisdom from mentors past, its breathtaking insights about how and why music affects us-one stands out above the rest: It makes me want to practice. -Conrad Tao, pianist and composer A boy tumbles into manhood while learning classical piano in this raucous coming-of-age memoir . . . Denk's sparkling prose, frankness, and humor make for an indelible portrait of the musician as a bewildered kid. -Publishers Weekly (starred review) Wildly ambitious, far exceeding the author's modest description of it as 'the story of piano lessons.' . . . [Jeremy] Denk writes feelingly on the artist's self-dramatization, the formation of a self . . . the conviction that you have something special to contribute to the appreciation of what you are performing, grasping whatever gives you the audacity to present yourself before the public. These are as much the subject of the book as its ostensible subject, piano lessons; these are life lessons. -Simon Callow, The New York Review of Books Lucid and bittersweet . . . Like Bach, whose 'Goldberg Variations' he has recorded with great rigor and warmth, Denk knows how to spin rich counterpoint out of multiple lines. And like Mozart, who with a harmonic sleight of hand can find the sublime in mere scales, Denk knows how to make art out of 'a love for the steps, the joys of growing and outgrowing and being outgrown.' -The New York Times This one-of-a-kind musical autobiography by one of our most brilliant and perceptive classical musicians is part illumination of the essence of the musical discourse and part deeply personal, sometimes painful, sometimes hilarious confession of the long and tortuous road to maturity and mastery of a sublime art. Denk's teachers, alternately inspiring, exasperating, demanding, adoring, and deploring, are evoked in delicious detail in a book that is as sophisticated as a Bach fugue and as American as Tater Tots and Kmart. -John Adams, composer Sometimes you read the first paragraph and know you'll read to the end. They say writing about music is like dancing about architecture. Jeremy Denk's book reminds us that dancing about architecture sounds sort of great. -John Jeremiah Sullivan, author of Pulphead Among the many virtues of this funny and moving book-its frankness, its generous preservation of wisdom from mentors past, its breathtaking insights about how and why music affects us-one stands out above the rest: It makes me want to practice. -Conrad Tao, pianist and composer A boy tumbles into manhood while learning classical piano in this raucous coming-of-age memoir . . . Denk's sparkling prose, frankness, and humor make for an indelible portrait of the musician as a bewildered kid. -Publishers Weekly (starred review)

“Wildly ambitious, far exceeding the author’s modest description of it as ‘the story of piano lessons.’ . . . [Jeremy] Denk writes feelingly on the artist’s self-dramatization, the formation of a self . . . the conviction that you have something special to contribute to the appreciation of what you are performing, grasping whatever gives you the audacity to present yourself before the public. These are as much the subject of the book as its ostensible subject, piano lessons; these are life lessons.”—Simon Callow, The New York Review of Books “Lucid and bittersweet . . . Like Bach, whose ‘Goldberg Variations’ he has recorded with great rigor and warmth, Denk knows how to spin rich counterpoint out of multiple lines. And like Mozart, who with a harmonic sleight of hand can find the sublime in mere scales, Denk knows how to make art out of ‘a love for the steps, the joys of growing and outgrowing and being outgrown.’”—The New York Times “This one-of-a-kind musical autobiography by one of our most brilliant and perceptive classical musicians is part illumination of the essence of the musical discourse and part deeply personal, sometimes painful, sometimes hilarious confession of the long and tortuous road to maturity and mastery of a sublime art. Denk’s teachers, alternately inspiring, exasperating, demanding, adoring, and deploring, are evoked in delicious detail in a book that is as sophisticated as a Bach fugue and as American as Tater Tots and Kmart.”—John Adams, composer  “Sometimes you read the first paragraph and know you’ll read to the end. They say writing about music is like dancing about architecture. Jeremy Denk’s book reminds us that dancing about architecture sounds sort of great.”—John Jeremiah Sullivan, author of Pulphead “Among the many virtues of this funny and moving book—its frankness, its generous preservation of wisdom from mentors past, its breathtaking insights about how and why music affects us—one stands out above the rest: It makes me want to practice.”—Conrad Tao, pianist and composer “A boy tumbles into manhood while learning classical piano in this raucous coming-of-age memoir . . . Denk’s sparkling prose, frankness, and humor make for an indelible portrait of the musician as a bewildered kid.”—Publishers Weekly (starred review) “Wildly ambitious, far exceeding the author’s modest description of it as ‘the story of piano lessons.’ . . . [Jeremy] Denk writes feelingly on the artist’s self-dramatization, the formation of a self . . . the conviction that you have something special to contribute to the appreciation of what you are performing, grasping whatever gives you the audacity to present yourself before the public. These are as much the subject of the book as its ostensible subject, piano lessons; these are life lessons.”—Simon Callow, The New York Review of Books “Lucid and bittersweet . . . Like Bach, whose ‘Goldberg Variations’ he has recorded with great rigor and warmth, Denk knows how to spin rich counterpoint out of multiple lines. And like Mozart, who with a harmonic sleight of hand can find the sublime in mere scales, Denk knows how to make art out of ‘a love for the steps, the joys of growing and outgrowing and being outgrown.’”—The New York Times “This one-of-a-kind musical autobiography by one of our most brilliant and perceptive classical musicians is part illumination of the essence of the musical discourse and part deeply personal, sometimes painful, sometimes hilarious confession of the long and tortuous road to maturity and mastery of a sublime art. Denk’s teachers, alternately inspiring, exasperating, demanding, adoring, and deploring, are evoked in delicious detail in a book that is as sophisticated as a Bach fugue and as American as Tater Tots and Kmart.”—John Adams, composer  “Sometimes you read the first paragraph and know you’ll read to the end. They say writing about music is like dancing about architecture. Jeremy Denk’s book reminds us that dancing about architecture sounds sort of great.”—John Jeremiah Sullivan, author of Pulphead “Among the many virtues of this funny and moving book—its frankness, its generous preservation of wisdom from mentors past, its breathtaking insights about how and why music affects us—one stands out above the rest: It makes me want to practice.”—Conrad Tao, pianist and composer “A boy tumbles into manhood while learning classical piano in this raucous coming-of-age memoir . . . Denk’s sparkling prose, frankness, and humor make for an indelible portrait of the musician as a bewildered kid.”—Publishers Weekly (starred review)

Author Information

Jeremy Denk is one of America’s foremost pianists. Winner of a MacArthur “Genius” Fellowship and the Avery Fisher Prize, Denk is a member of the American Academy of Arts and Sciences. He returns frequently to Carnegie Hall and has recently appeared with ensembles including the Chicago Symphony, New York Philharmonic, and Los Angeles Philharmonic. His recordings have reached #1 on the Billboard classical charts and featured on many best-of-the-year lists. His writing has appeared in The New Yorker, The New Republic, The Guardian, and The New York Times Book Review. Denk graduated from Oberlin College, Indiana University, and the Juilliard School. He lives in New York City.

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