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OverviewAs the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space. Full Product DetailsAuthor: Dorita Hannah (Tisch School of the Arts, NYU, USA) , Marc GoodwinPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.920kg ISBN: 9780415832175ISBN 10: 0415832179 Pages: 378 Publication Date: 11 July 2018 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"PREFACE: TOWARD A THEORY OF ‘SPACING’ THROUGH AVANT-GARDE ACTION INTRODUCTION: EVENT-SPACE: A PERFORMANCE MODEL FOR ARCHITECTURE Architecture as Event Event-Space: A Useful Paradigm In Motion Space (becoming-performance of architecture) Event (becoming-architecture of performance) (Re)Birth of the Will-to-Destruction Avant-gardism and Modernism CHAPTER 1: DISCIPLINING THE BOURGEOIS GLORY MACHINE ""Our provisional theatre at Bayreuth"" The Baroque Model and Post-Revolutionary Performativity Garnier’s Architecture as Mise-en-scène The Glory Machine The Case of Bayreuth A New Public The Invisible Theatre CHAPTER 2: ABSOLUTE SPACE: UNIVERSAL LANDSCAPES ""The Beginning… The Birth…"" Absolute Stage Space Symbolist ""Theatre of the Mind"" Dancing Architectures Duncan’s Temple Spatial Rhythm and Universal Landscapes Adolphe Appia Architecture as Temple-Laboratory Hellerau Resisting the Black Void The New Monumentality of Absolute Space CHAPTER 3: ABSTRACT SPACE: TOWARD AN ARCHITECTURE OF ALIENATION The ""Troubled Art"": Avant-gardism Divided City as a ""Montage of Attractions"" Stage Space – Space Stage Bauhaus Festivities Total Theatre: The ""Great Stage Machine"" Architectures of Alienation Ghost in the Machine CHAPTER 4: ABJECT SPACE: TOWARD AN ARCHITECTURE OF CRUELTY Violence Takes Centre Stage Spatial Violence Bravo! And Boom, Boom! Abjection: eROTic Object Palace of Culture Enter Artaud (Flinging Bombs) An Architecture against Architecture A Site of Recovery Dis-eased Body Ex-ploding Space De-centring Architecture Cruel Machine CONCLUSION: MAKING ARCHITECTURE TREMBLE Nietzsche’s Architect(ure) Building Babel"ReviewsAuthor InformationDorita Hannah works across the spatial, visual and performing arts as a scholar and design practitioner specializing in theatre architecture and performance design. She is a Professor affiliated with the University of Auckland (New Zealand), University of Tasmania (Australia) and Aalto University (Finland). Tab Content 6Author Website:Countries AvailableAll regions |