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OverviewFull Product DetailsAuthor: Eleftheria Rania Kosmidou (University of Salford, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Volume: 18 Weight: 0.540kg ISBN: 9780415523202ISBN 10: 0415523206 Pages: 206 Publication Date: 07 August 2012 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction 2. Collective and Cultural Memory and their Limitations: Postmemory and Cinematic Modes of Representations 3. The Spanish Civil War: Cinematic Postmemories of the ‘Last Great Cause’ 4. Cinematic Representations of the Irish Civil War: Michael Collins and The Wind That Shakes the Barley 5. Cinematic Representations of the Former Yugoslavian Civil War: Underground and No Man's Land 6. Representation of the Greek Civil War in Theo Angelopoulos’s The Travelling Players: The Uses of Intertextuality 7. ConclusionReviews'...it is... an important contribution to the debate on memory, conflict, and nostalgia in the context of European war films. Making these rich and complex cinematic accomplishments accessible to a wider audience, Kosmidou's work provides a valuable source of information for further exploration of the subject.' Agustin Rico-Albero, Council for European Studies Author InformationEleftheria Rania Kosmidou is Lecturer in Film Studies, University of Salford, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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