Overview
Detailed information on almost all ethnic and vernacular recordings from many countries on 78rpm is provided in this seminal work. The current state of discographical research in this wide and varied field is such that a research tool of this nature is badly needed. Jesse Walter Fewkes and Mary Hemenway recorded Native American music as early as 1890; Bela Bartok recorded rural music in the Balkans; Erich von Hornbostel, the grand old man of ethnomusicology in Europe, recorded in Southeast Asia. More than just a discography, this work demonstrates that cultures around the world and over time have more similarities than differences. A necessity for scholars, students, archivists, and individual record collectors and dealers. The goals of this volume are many and varied: to promote thought and discussion toward a concise definition of recorded ethnic music; to assist specialists working on individual discographical projects; to introduce users to the interconnectedness of cultures through regional music; to gather heretofore disparate pieces of information under one cover in a way that for the first time allows specialists to accurately identify all manner of recordings in many languages. The four sections of the volume work together for easy usage through cross referencing. The philosophy behind the volume was expressed by Rodney Gallop when he remarked that music, for him, was often the key to the understanding of other cultures.
Full Product Details
Author: Paul Vernon
Publisher: Bloomsbury Publishing Plc
Imprint: Greenwood Press
Volume: No. 62.
Dimensions:
Width: 15.60cm
, Height: 2.30cm
, Length: 23.50cm
Weight: 0.652kg
ISBN: 9780313295539
ISBN 10: 0313295530
Pages: 368
Publication Date: 11 December 1995
Recommended Age: From 7 to 17 years
Audience:
College/higher education
,
Professional and scholarly
,
Undergraduate
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand 
We will order this item for you from a manufactured on demand supplier.
Table of Contents
Foreword Acknowledgments Preface Countries, Territories and Linguistic Groups Listed in Chapter One Countries, Regions and Ethnic Groups: A-Z Record Companies (Brunswick, Columbia, Decca, Edison Bell, The Gramophone Company, Odeon, Parlophone, Pathe, Polydor, Telefunken, Zonophone) Reissues on Compact Disc, Cassette and Vinyl Lexicon The Gramophone Company Engineers and Their Overseas Recording Sessions Commercial Recordings in African Languages Appendix 1: National Anthems Appendix 2: Resource List Bibliography
Reviews
?Vernon's study is intended to promote thought and discussion of recorded ethnic music and to assist specalists working on individual discographical projects. It also provides needed information about obscure recording labels, some of which have been defunct for decades.?-Choice ""Vernon's study is intended to promote thought and discussion of recorded ethnic music and to assist specalists working on individual discographical projects. It also provides needed information about obscure recording labels, some of which have been defunct for decades.""-Choice
?Vernon's study is intended to promote thought and discussion of recorded ethnic music and to assist specalists working on individual discographical projects. It also provides needed information about obscure recording labels, some of which have been defunct for decades.?-Choice
Author Information
PAUL VERNON is a freelance music consultant in England. He has been involved in the music business for 20 years, writing articles, editing magazines, and programming re-releases of vintage and ethnic music on compact discs. He hopes this seminal work will be the catalyst that helps committed record collectors share their personal knowledge unselfishly with fellow researchers.
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