E.T.A. Hoffmann's Musical Aesthetics

Author:   Abigail Chantler
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9780754607069


Pages:   216
Publication Date:   28 January 2006
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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E.T.A. Hoffmann's Musical Aesthetics


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Full Product Details

Author:   Abigail Chantler
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   0.453kg
ISBN:  

9780754607069


ISBN 10:   0754607062
Pages:   216
Publication Date:   28 January 2006
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Introduction; Art religion; Hoffmann's romantic poetry; Hoffmann's musical hermeneutics revisited; Romantic musical historiography; Romantic opera; Musical taste and ideology; Conclusion; Bibliography; Index.

Reviews

'The book usefully draws together most of the current thinking on Hoffmann... Chantler's strength lies on the level of detailed textual exegesis with reference to Romantic literary theory and philosophy. Here she is commendably thorough.' Music and Letters 'Taken as a whole, Chantler's book probes the reaches of Hoffmann's literary and musical compositions as they pursue poetic ideals while attempting to synthesize the old and new in his artfully-ordered, ironic chaos.' Notes


Author Information

Abigail Chantler has taught at Lancaster University and the Royal Northern College of Music, and has held two Lectureships in the School of Music at Trinity College Dublin. She has also been the recipient of a Postdoctoral Research Fellowship from the Irish Research Council for the Humanities and Social Sciences, and of a Stipendium from the Deutsche Akademischer Austausch Dienst. She has broad research interests in musical aesthetics and musical historiography, and is currently preparing a Companion to Musical Aesthetics for Continuum.

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