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Awards
OverviewFull Product DetailsAuthor: Katarzyna Bartoszyńska (Ithaca College)Publisher: Johns Hopkins University Press Imprint: Johns Hopkins University Press Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.408kg ISBN: 9781421440644ISBN 10: 1421440644 Pages: 200 Publication Date: 28 September 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of Contents"Acknowledgments Introduction: Unreal Histories 1. The Problem with Happily Ever After: Swift and Krasicki 2. The Terror of Worlds Unfolding: Potocki and Maturin 3. Queer Tales and Seductive Paintings: Żmichowska and Wilde 4. Impossibly Free: Gombrowicz and Beckett Conclusion: Toward a ""Weak"" Theory of the Novel Notes"Reviews[Bartoszynska] uses an impressively wide-ranging analytic toolkit in her readings with recurring tropes such as metafictionality, irony, ekphrasis, temporality, the role of prefaces and footnotes....Not only does her book estrange the idea of the novel, but it also makes us think about the ruts we are stuck in when approaching literary works from different traditions. -Kasia Szymanska, Literature and History For the researcher, the way this book continually presses against insufficient accounts of the novel is invigorating. So too, the close readings are clearly written by a scholar who loves the capacities of fiction in all their complexity. As a scholar and reader, for me this book's biggest payoff was its sustained discussion of worlding-specifically, via Eric Hayot, of the ways that occluded complexities of fiction bring new possibilities of thought into being. -Daniel Dewispelare, Studies in the Novel The wider implication of the analysis in Estranging the Novel is that we need an account of novels which are 'anomalous or strange' that considers their strangeness on its own terms rather than how it accords with or departs from a single history of the nove...l. [Bartoszynska] provides a compelling call for a new way of thinking about the novel's history and form, and the role of peripheral literatures within it. [Bartoszynska] uses an impressively wide-ranging analytic toolkit in her readings with recurring tropes such as metafictionality, irony, ekphrasis, temporality, the role of prefaces and footnotes....Not only does her book estrange the idea of the novel, but it also makes us think about the ruts we are stuck in when approaching literary works from different traditions. -Kasia Szymanska, Literature and History For the researcher, the way this book continually presses against insufficient accounts of the novel is invigorating. So too, the close readings are clearly written by a scholar who loves the capacities of fiction in all their complexity. As a scholar and reader, for me this book's biggest payoff was its sustained discussion of worlding-specifically, via Eric Hayot, of the ways that occluded complexities of fiction bring new possibilities of thought into being. -Daniel Dewispelare, Studies in the Novel The wider implication of the analysis in Estranging the Novel is that we need an account of novels which are 'anomalous or strange' that considers their strangeness on its own terms rather than how it accords with or departs from a single history of the nove...l. [Bartoszynska] provides a compelling call for a new way of thinking about the novel's history and form, and the role of peripheral literatures within it. -Modern Language Review [Bartoszynska] uses an impressively wide-ranging analytic toolkit in her readings with recurring tropes such as metafictionality, irony, ekphrasis, temporality, the role of prefaces and footnotes....Not only does her book estrange the idea of the novel, but it also makes us think about the ruts we are stuck in when approaching literary works from different traditions. -- Kasia Szymanska * Literature and History * [Bartoszynska] uses an impressively wide-ranging analytic toolkit in her readings with recurring tropes such as metafictionality, irony, ekphrasis, temporality, the role of prefaces and footnotes....Not only does her book estrange the idea of the novel, but it also makes us think about the ruts we are stuck in when approaching literary works from different traditions. -- Kasia Szymanska * Literature and History * For the researcher, the way this book continually presses against insufficient accounts of the novel is invigorating. So too, the close readings are clearly written by a scholar who loves the capacities of fiction in all their complexity. As a scholar and reader, for me this book's biggest payoff was its sustained discussion of worlding-specifically, via Eric Hayot, of the ways that occluded complexities of fiction bring new possibilities of thought into being. -- Daniel Dewispelare * Studies in the Novel * Author InformationKatarzyna Bartoszyńska is an assistant professor of English and women's and gender studies at Ithaca College. Tab Content 6Author Website:Countries AvailableAll regions |