Overview

The Higher Institute for Fine Arts offers young talented artists from Belgium and abroad a studio for two years together with professional guidance by experts from the international art world. These work periods often launch international art careers. This book conveys an image of all HISK artists of the past two decades and in so doing sketches a history of contemporary art in Belgium and beyond. Essays by the HISK's co-founder and chairman Willem Elias and renowned experts such as John C. Welchman, Katerina Gregos and Gertrud Sandqvis reflect on the artist in his studio and his societal role in the world. With Tate Modern-director Chris Dercon, the HISK's artistic director Oscar van den Boogaard discusses the future of art in its academic context. They pose the question: ""What role can a Higher Institute for Fine Arts play?"" And: ""How does such an institution remain relevant?"" Featuring old, but especially new work - on exclusive artists' pages - by 230 artists. AUTHOR: Oscar van den Boogaard is a writer and director of HISK. 800 colour illustrations

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9781851498024

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Peyton Skipwith is an independent fine art consultant. He retired as Deputy Managing Director of The Fine Art Society in 2005, after 44 years, during which time he organised many exhibitions covering most aspects of British fine and decorative arts of the late 19th and early 20th centuries, including Tribute to Edward Bawden, Eric Ravilious in Context, Britain Between the Wars and Joseph Southall. In 2006, he was joint recipient, with Andrew McIntosh Patrick, on behalf of The Fine Art Society, of the Iris Foundation Award, New York, for a lifetime's contribution to the decorative arts. He is a writer and critic, contributing regularly to publications, including Apollo, Country Life, World of Interiors and The Literary Review. He is the author of Entertaining à la Carte: Edward Bawden and Fortnum and Mason, The Mainstone Press, 2007. Brian Webb is a designer, Visiting Professor of the University of the Arts, London, and Past President of the Chartered Society of Designers. He has lectured about British design and designed and produced numerous books in the Design series. He contributed 'The Roller Coaster Ride, 1945 to the present' to London Transport Posters, A Century of Art and Design, London Transport Museum, 2008, and wrote Think of it as a Poster (a review of wood-engraved postage stamps) for the Fleece Press, 2010, and Edward Bawden's London with Peyton Skipwith, published by the V&A, 2011.

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