|
![]() |
|||
|
||||
OverviewEnvironmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving. Full Product DetailsAuthor: Frederick Bianchi (Professor of Humanities and Arts, Professor of Humanities and Arts, Worcester Polytechnic Institute) , V. J. Manzo (Assistant Professor of Music Technology and Perception, Assistant Professor of Music Technology and Perception, Worcester Polytechnic Institute)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 25.40cm , Height: 2.30cm , Length: 18.00cm Weight: 0.774kg ISBN: 9780190234614ISBN 10: 019023461 Pages: 234 Publication Date: 04 August 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of Contents"Foreword Preface Acknowledgments Introduction 1. Sonifications of Global Environmental Data Andrea Polli 2. Sewer Pipe Organ Philip Blackburn 3. Biophonic Sound Sculptures in Public Spaces Bernie Krause 4. A Philosophical Report From Work-In-Progress David Dunn 5. Listening to the Earth John Bullitt 6. The Place Where You Go to Listen: An Ecosystem of Sound and Light John Luther Adams 7. Meltwater Cheryl E. Leonard 8. Hearing Curved Space Jeff Talman 9. River Listening Leah Barclay 10. Sun Boxes Craig Colorusso 11. Bridge Music and Tower Music Joseph Bertolozzi 12. Data as Music: Why Musically Encoded Sonification Design Offers a Rich Palette for Information Display Marty Quinn 13. Sonic Landscapes (finding a sense of place with my ears) Bruce Odland 14. Sonic Migrations: listening in-between, sensing place Ximena Alarcón 15. Sound Architecture Zimoun 16. The Sonic Ecology of Structures China Blue 17. Why Bring Nature Into Your Music? David Rothenberg 18. The Dawn Chorus Gordon Hempton 19. Bivvy Broadcasts Dawn Scarfe 20. A Philosophy of Eco-acoustics in the Interdisciplinary Project ""Fragments of Extinction"" David Monacchi 21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999 Christopher DeLaurenti 22. The Listening Experience of ""Paramnesia"" Aki Pasoulas 23. Musical Heuristics in Six Ecoacoustic Quintets Matthew Burtner Index"ReviewsEnvironmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically. David Cope The texts collected here are mainly written by sound artists describing their respective approaches, ranging from the scientific to the very personal. The resulting collection is rewarding for the reader, who can evaluate how the act of recording assumes a different meaning and value from text to text. * Aurelio Cianciotta, Neural * Environmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically. * David Cope * Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe. * Notes * """Environmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically.""--David Cope ""Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe."" --Notes" Environmental Sound Artists: In Their Own Words is an extraordinary collection of self-descriptions of wonderfully alive and often iconoclastic work being done by ESAs today. Extremely well organized, edited, and exampled by Frederick Bianchi and VJ Manzo, it will amaze, confound, entertain, and, most importantly inform those with open minds on the present and future of art made in the free world. Unencumbered by strict labels of their work, these artists breathe air into oftentimes stagnant and commercial versions and views of art as described and prescribed by constraints arbitrarily defined centuries ago. I can't recommend it more enthusiastically. --David Cope Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe. --Notes Author InformationFrederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s. V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press. Tab Content 6Author Website:Countries AvailableAll regions |