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OverviewFull Product DetailsAuthor: Murray Smith (Professor of Philosophy, Art, and Film, Professor of Philosophy, Art, and Film, University of Kent)Publisher: Oxford University Press Imprint: Oxford University Press Edition: 2nd Revised edition Dimensions: Width: 15.50cm , Height: 1.60cm , Length: 23.40cm Weight: 0.566kg ISBN: 9780198871071ISBN 10: 0198871074 Pages: 338 Publication Date: 09 June 2022 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsWelcome and important book ... considerable value of this book ... It develops an original, complex, articulated theory and fruitfully applies it to a wide variety of films ... an impressive work that in its lucidity and careful argumentation sets intellectual standards that most current film theory does not come even close to matching. * Berys Gaut, British Journal of Aesthetics * Review from previous edition A very detailed and well-informed survey of terrain of a sort that the more squarely philosophical contributions to the discussion have by and large ignored...Smith is very good. * Alex Neill, The Journal of Aesthetics and Art Criticism * Review from previous edition A very detailed and well-informed survey of terrain of a sort that the more squarely philosophical contributions to the discussion have by and large ignored...Smith is very good. * Alex Neill, The Journal of Aesthetics and Art Criticism * Welcome and important book ... considerable value of this book ... It develops an original, complex, articulated theory and fruitfully applies it to a wide variety of films ... an impressive work that in its lucidity and careful argumentation sets intellectual standards that most current film theory does not come even close to matching. * Berys Gaut, British Journal of Aesthetics * Author InformationMurray Smith is Professor of Philosophy, Art, and Film at the University of Kent, co-director of the Aesthetics Research Centre at Kent, and Past President of the Society for Cognitive Studies of the Moving Image. He has published widely on film, art and aesthetics. In addition to Engaging Characters, his publications include Film, Art, and the Third Culture (OUP); Trainspotting (BFI); Film Theory and Philosophy (co-edited with Richard Allen) (OUP); Contemporary Hollywood Cinema (co-edited with Steve Neale) (Routledge); and Thinking through Cinema (co-edited with Tom Wartenberg) (Blackwell). Tab Content 6Author Website:Countries AvailableAll regions |