Overview

Encounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.

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9781137462718

Table of Contents

Reviews

Encounters in Performance Philosophy covers a wide range of theorists, in a variety of methods and from different disciplinary perspectives. ... Encounters in Performance Philosophy is a volume that not only records an already existing body of deeply vital and thoughtful practices. It also paves the way for forms of research able to incorporate process and novelty through an actual nomadism unencumbered by hubristic prescription. (Nik Wakefield, Contemporary Theatre Review, Vol. 25 (4), October, 2015) 'The corridors of academia have been invaded by new modalities of conveying meaningful articulation. Performance and registers of performativity now profile the most advanced cuts of philosophical presentation - some feisty, some understated and raw, often delivered with melancholic acuity and controlled dazzle. Alice Lagaay and Laura Cull have assembled a number of breakthrough essays by contributors including noted French philosopher Jean-Luc Nancy, that engage, by intricate yet compelling means, the dissociation between the cognitive and performative in contemporary thought.' Avital Ronell, New York University, USA

“Encounters in Performance Philosophy covers a wide range of theorists, in a variety of methods and from different disciplinary perspectives. … Encounters in Performance Philosophy is a volume that not only records an already existing body of deeply vital and thoughtful practices. It also paves the way for forms of research able to incorporate process and novelty through an actual nomadism unencumbered by hubristic prescription.” (Nik Wakefield, Contemporary Theatre Review, Vol. 25 (4), October, 2015)

'The corridors of academia have been invaded by new modalities of conveying meaningful articulation. Performance and registers of performativity now profile the most advanced cuts of philosophical presentation - some feisty, some understated and raw, often delivered with melancholic acuity and controlled dazzle. Alice Lagaay and Laura Cull have assembled a number of breakthrough essays by contributors including noted French philosopher Jean-Luc Nancy, that engage, by intricate yet compelling means, the dissociation between the cognitive and performative in contemporary thought.' Avital Ronell, New York University, USA

'The corridors of academia have been invaded by new modalities of conveying meaningful articulation. Performance and registers of performativity now profile the most advanced cuts of philosophical presentation - some feisty, some understated and raw, often delivered with melancholic acuity and controlled dazzle. Alice Lagaay and Laura Cull have assembled a number of breakthrough essays that engage, by intricate yet compelling means, the dissociation between the cognitive and performative in contemporary thought.' Avital Ronell, New York University, USA

Author Information

Emmanuel Alloa, University of Saint Gallen, Switzerland. Arno Böhler, University of Vienna, Austria Denis Guénoun, Université Sorbonne-Paris IV Esa Kirkkopelto, University of Arts Helsinki, Finland Paul A. Kottman, New School for Social Research, USA Alice Koubová, Philosophical Institute of the Academy of Sciences, Czech Republic Sybille Krämer, Freie Universität Berlin, Germany Jean-Luc Nancy, Université Marc Bloch, Strasbourg, France Martin Puchner, Harvard University, USA Alan Read, Kings College, University of London, UK Nimrod Reitman, New York University, USA Freddie Rokem, Tel Aviv University, Israel Katja Rothe, Berlin University of the Arts, Germany

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