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OverviewFull Product DetailsAuthor: Patrick Colm HoganPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.499kg ISBN: 9780791459638ISBN 10: 0791459632 Pages: 299 Publication Date: 04 December 2003 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of Contents"Acknowledgments Introduction: Decolonizing Cultural Identity 1. Ideological Ambiguities of ""Writing Back"": Anita Desai and George Lamming in the Heart of Darkness 2. Revising Indigenous Precursors, Reimagining Social Ideals: Tagore's The Home and the World and Valmeki's Ramayana 3. Subaltern Myths Drawn from the Colonizer: Dream on Monkey Mountain and the Revolutionary Jesus 4. Preserving the Voice of Ancestors: Yoruba Myth and Ritual in The Palm-Wine Drinkard 5. Outdoing the Colonizer: Homer, Virgil, Dante, Milton, Walcott 6. Indigenous Tradition and the Individual Talent: Agha Shahid Ali, Laila/Majnoon, and the Ghazal Afterword: ""We Are All Africans"": The Universal Privacy of Tradition Notes Glossary of Selected Theoretical Concepts Works Cited Index"Reviews""This is a thoughtful and intense engagement with a series of postcolonial literary texts. Hogan recovers lines of affiliation between these texts and the myths, assumptions, traditions, and works that helped Inspire them. He demonstrates that an indigenous text can be just as complicit in the imperial project as any Western text and that indigenous texts may be as anxious to revise native' traditions and views as they are to 'subvert' those of the imposed imperial culture."" This is a thoughtful and intense engagement with a series of postcolonial literary texts. Hogan recovers lines of affiliation between these texts and the myths, assumptions, traditions, and works that helped Inspire them. He demonstrates that an indigenous text can be just as complicit in the imperial project as any Western text and that indigenous texts may be as anxious to revise native' traditions and views as they are to 'subvert' those of the imposed imperial culture. """This is a thoughtful and intense engagement with a series of postcolonial literary texts. Hogan recovers lines of affiliation between these texts and the myths, assumptions, traditions, and works that helped Inspire them. He demonstrates that an indigenous text can be just as complicit in the imperial project as any Western text and that indigenous texts may be as anxious to revise native' traditions and views as they are to 'subvert' those of the imposed imperial culture.""" Author InformationPatrick Colm Hogan is Professor of English and Comparative Literature at the University of Connecticut. He is the author and editor of many books, including (with Lalita Pandit) Literary India: Comparative Studies in Aesthetics, Colonialism, and Culture and Colonialism and Cultural Identity: Crises of Tradition in the Anglophone Literatures of India, Africa, and the Caribbean, both published by SUNY Press. Tab Content 6Author Website:Countries AvailableAll regions |