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Through the physical nature of the poster, its relationship to performance, and the actual poster-making process, Rosenthal found a way to provide a linkage for all the disparate, uncommon, and almost otherworldly theatre that was and is the mainstay of this important theatre institution . . . using the poster as a kind of key in the lock of Stewart's impenetrably mysterious personal connection with her theatre, its history, and the magic of her artistic entrepreneurship, to provide insight into the nature of how she worked over fifty years to create an artistic home for some of the world's most important theatrical artists. It is a fascinating and rather gorgeous way into the heart of what has made La MaMa and Ellen Stewart a place of magic in the theatre. --David Crespy, University of Missouri

"Through the physical nature of the poster, its relationship to performance, and the actual poster-making process, Rosenthal found a way to provide a linkage for all the disparate, uncommon, and almost otherworldly theatre that was and is the mainstay of this important theatre institution . . . using the poster as a kind of key in the lock of Stewart’s impenetrably mysterious personal connection with her theatre, its history, and the magic of her artistic entrepreneurship, to provide insight into the nature of how she worked over fifty years to create an artistic home for some of the world’s most important theatrical artists. It is a fascinating and rather gorgeous way into the heart of what has made La MaMa and Ellen Stewart a place of magic in the theatre."""" - David Crespy, University of Missouri"

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Cindy Rosenthal is Professor of Drama and Dance, Hofstra University.

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