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Awards
OverviewFull Product DetailsAuthor: Eduardo Herrera (Associate Professor of Musicology, Associate Professor of Musicology, Rutgers)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.60cm , Height: 1.30cm , Length: 15.70cm Weight: 0.499kg ISBN: 9780190877538ISBN 10: 0190877537 Pages: 228 Publication Date: 22 October 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsThis superb book hums with the sounds, conversations, and behind-the-scenes negotiations that created one of the most vital centers for new music in the 1960s. A keen observer of people and their motivations, Eduardo Herrera transforms our understanding of philanthropy, Latin American identity, and the twentieth century's many avant-gardes. * Lisa Jakelski, Eastman School of Music at the University of Rochester * In this ambitious and pathbreaking book, a vital part of Western music's history is told for the first time. Highly recommended! * Danielle Fosler-Lussier, author of Music in America's Cold War Diplomacy * In this ambitious and pathbreaking book, a vital part of Western music's history is told for the first time. Highly recommended! * Danielle Fosler-Lussier, author of Music in America's Cold War Diplomacy * This superb book hums with the sounds, conversations, and behind-the-scenes negotiations that created one of the most vital centers for new music in the 1960s. A keen observer of people and their motivations, Eduardo Herrera transforms our understanding of philanthropy, Latin American identity, and the twentieth century's many avant-gardes. * Lisa Jakelski, Eastman School of Music at the University of Rochester * Author InformationEduardo Herrera is Associate Professor of Musicology at Rutgers, The State University of New Jersey. He researches Argentine and Uruguayan avant-garde music, postcoloniality in Latin America and, most recently, collective soccer chants as participatory music making and public affective practice. His co-edited volume Experimentalisms in Practice: Music Perspectives from Latin America (Oxford University Press, 2018) discusses a wide variety of artistic and musical traditions from Latin America, the Caribbean, and Latinos/as in the United States that are conceived or perceived as experimental. Tab Content 6Author Website:Countries AvailableAll regions |