Overview

The purpose of this study is to analyze the soliform figures in schematic cave paintings. The author presents research on all the global factors relevant to the study of these figures (technological, typological, stylistic, semiotic, astronomical, anthropological and landscape) and their relationship with the whole of schematic rock paintings and the societies that produced them. The geographical scope of the study is the area of Laguna de la Janda and Campo de Gibraltar (Cadiz). One of the arguments the author maintains in this research is the shortage of studies conducted in the territory of Cadiz in relation to these figures – and to rock art in general, which has been a central motif in almost all primitive religions or mythologies since the birth of agricultural societies. The recurrence of abstract motifs within the rock art of this area, and its durability over time, could be an indication of common cultural patterns among the different populations that inhabited the province. But these same signs are also repeated in different parts of the world – could it therefore suggest universal aspects of our species? The interpretation of these symbols has been – and continues to be – subject to intangible or subjective issues; therefore, it is not exempt from possible projections of our own culture. We think that we are able to approach, in a scientific way, the ritual and symbolic aspects of those who elaborated these paintings. In this book, the author proposes an alternative according to the theoretical framework of disciplines such as ethnography, anthropology, landscape archaeology, archaeoastronomy and semiotics.

Full Product Details

Author:   Mercedes Versaci
Publisher:   Archaeopress
Imprint:   Archaeopress
Dimensions:   Width: 20.30cm , Height: 1.00cm , Length: 27.60cm
Weight:   0.759kg
ISBN:  

9781789691948

ISBN 10:   178969194
Pages:   228
Publication Date:   31 May 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Language:   Spanish

Table of Contents

1. INTRODUCCIÓN 2. BALANCE HISTORIOGRÁFICO DE LA INVESTIGACIÓN SOBRE LA FIGURA SOLIFORME EN EL ARTE POSTPALEOLÍTICO DE LA PENÍNSULA IBÉRICA 3. CARACTERÍSTICAS DEL MEDIO NATURAL DE LA ZONA DE ESTUDIO Y CONTEXTO HISTÓRICO-ARQUEOLÓGICO 4. DESCRIPCIÓN DE LOS ABRIGOS 5. ANÁLISIS TECNOLÓGICO DE LAS FIGURAS SOLIFORMES, LOS PANELES Y EL ESTILO 6. CRONOLOGÍA Y CONTEXTO CULTURAL 7. LOS ANÁLOGOS DEL MOTIVO SOLIFORME EN OTRAS MANIFESTACIONES GRÁFICAS DE LA PREHISTORIA RECIENTE 8. EL TERRITORIO Y LAS PINTURAS: UNA INTERPRETACIÓN DESDE LA SEMIÓTICA 9. LOS ABRIGOS: UNA INTERPRETACIÓN DESDE LA ARQUEOASTRONOMÍA 10. CONSIDERACIONES FINALES Y CONCLUSIONES BIBLIOGRAFÍA

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Author Information

Mercedes Versaci received her Ph.D. from the University of Cádiz in 2018 and she is an active member of the research group HUM 812: Studies in Prehistory, Archaeology, Ethnoarchaeology, Anthropology and Cultural Landscape (PAEAPC) at the same institution. Her studies on the rock art of the Province of Cádiz go back to the year 2007, and she has published (in specialist magazines) several researches concerning paintings and funeral customs in recent prehistory. She has participated in various projects on the funerary world in the Province of Cádiz and currently combines these studies with ethnoarchaeological research on the pottery of Rif (Morocco).

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