Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema
Author:   Robert Robertson
Publisher:   Bloomsbury Publishing PLC
Volume:   v. 5
ISBN:  

9781848857315


Pages:   256
Publication Date:   24 March 2011
Format:   Paperback
Availability:   To order   Availability explained
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Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema


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Full Product Details

Author:   Robert Robertson
Publisher:   Bloomsbury Publishing PLC
Imprint:   I.B. Tauris
Volume:   v. 5
Dimensions:   Width: 13.40cm , Height: 2.20cm , Length: 21.40cm
Weight:   0.320kg
ISBN:  

9781848857315


ISBN 10:   1848857314
Pages:   256
Publication Date:   24 March 2011
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction 1 Audiovisual counterpoint 2 Organic unity 3 Nonindifferent nature 4 Synaesthesia

Reviews

'We had no hesitation in choosing the winner. Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology. Like the work it describes, this book is symphonic; it draws together strong influences and forces around Eisenstein into a compelling and cogent narrative - at once enjoyable, provocative.' - Francine Stock, chair of the Moving Image judging panel for the Kraszna Krausz And/Or Book Awards 2009


Author Information

Robert Robertson is a composer and filmmaker. He has an MFA in Film Production from the Mel Hoppenheim School of Cinema, Montreal. His music/films include 'Oserake and The River That Walks', 'Doors of the Spirits', and 'I'm Back', and he has produced the operas 'The Kingdom', 'The Cathars', and 'Empedocles'. He has been influ enced by Eisenstein's ideas since 1977, and this book is the result of his doctoral research at King's College London, UK.

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