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Author:   Jelena Novak ,  John Richardson
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781472473707

ISBN 10:   1472473701
Pages:   314
Publication Date:   09 December 2019
Audience:   General/trade ,  College/higher education ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents List of figures viii List of music examples x Series editor preface xi Foreword: music and culture in the wake of Einstein xiii Contributors xvii Acknowledgements xxiii Introduction xxv JOHN RICHARDSON AND JELENA NOVAK Knee chapter 1 Paying attention to Einstein: Philip Glass interviewed by John Richardson 1 PART 1 Einstein on the shores of culture 13 1 Einstein on the radio 15 ROBERT FINK 2 Sous les pavés, la plage 49 JOHANNES BIRRINGER 3 Einstein on the Beach in Belgrade: a critical testimony 66 MIŠKO ŠUVAKOVIĆ Knee chapter 2 Einstein on the Beach is not radical, it is classic: Robert Wilson interviewed by Bojan Djordjev 79 PART 2 From repetition to representation 87 4 Intuition and algorithm in Einstein on the Beach 89 KYLE GANN 5 “Only pictures to hear”: reading Einstein on the Beach through experimental theater 106 PWYLL AP SIÔN 6 Creating beauty in chaos: Robert Wilson’s visual authorship in Einstein on the Beach 125 AVRA SIDIROPOULOU Knee chapter 3 Stay out of the way of Bob Wilson when he dances: Lucinda Childs interviewed by Jelena Novak 141 PART 3 Beyond drama: surfaces and agencies of performance 149 7 Heavenly bodies: the integral role of dance in Einstein on the Beach 151 LEAH G. WEINBERG 8 Anonymous voice, sound, indifference 174 ZEYNEP BULUT Knee chapter 4 Artists recall and respond 195 Suzanne Vega, Under the influence – Philip Glass 195 Two Finnish composers reminisce: Juhani Nuorvala, Petri Kuljuntausta 198 Tom Johnson, Rehearsing Einstein on the Beach 203 Two steps forwards but three steps back, and then one step forwards again – Peter Greenaway interviewed by John Richardson 206 PART 4 Operatic machines and their ghosts 211 9 Leaving and re-entering: punctuating Einstein on the Beach 213 SANDER VAN MAAS 10 Historia Einsteinalium: from the beach to the church, via theater and “state bank” 231 JELENA NOVAK Knee chapter 5 Critical excavations 253 Pieter T’Jonck, How democratic baroque came about in dance and Einstein on the Beach 253 Frits van der Waa, Einstein in the press 261 Appendix 1: Robert Wilson, Einstein on the Beach,storyboard drawings 271 Appendix 2: Einstein on the Beach, spoken texts 276 Bibliography 287 Index 301

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Author Information

Jelena Novak is Researcher at the Centre for the Study of the Sociology and Aesthetics of Music at NOVA University of Lisbon. Her publications include Opera u doba medija (Opera in the Age of Media), Postopera: Reinventing the Voice-Body, and Operofilia. John Richardson is Professor of Musicology at the University of Turku in Finland. His publications include An Eye for Music: Popular Music and the Audiovisual Surreal, Singing Archaeology: Philip Glass’s Akhnaten, and The Oxford Handbook of New Audiovisual Aesthetics (eds. Richardson, Gorbman, and Vernallis).

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