Editing and Special/Visual Effects: Behind the Silver Screen: A Modern History of Filmmaking

Author:   Charlie Keil ,  Kristen Whissel
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781784536985


Pages:   256
Publication Date:   25 August 2016
Format:   Paperback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Editing and Special/Visual Effects: Behind the Silver Screen: A Modern History of Filmmaking


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Overview

The expert contributors together trace how the arts of editingand effects have evolved in tandem, starting with the 'trick films'of the early silent era, which astounded audiences by splicingin or editing out key frames, all the way to today's cutting-edgeeffects technologies. Multiple filmmaking techniques are exploredthroughout, from classic Hollywood's rear projection and matteshots to the fast cuts and wall-to-wall CGI of the contemporaryblockbuster. The book introduces readers to the analog and digitaltools used in these crafts, showing the impact of changes in the filmindustry itself.

Full Product Details

Author:   Charlie Keil ,  Kristen Whissel
Publisher:   Bloomsbury Publishing PLC
Imprint:   I.B. Tauris
Weight:   0.458kg
ISBN:  

9781784536985


ISBN 10:   1784536989
Pages:   256
Publication Date:   25 August 2016
Audience:   College/higher education ,  General/trade ,  Postgraduate, Research & Scholarly ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

'A much-needed survey of two fundamental cinematic crafts & techniques and their creative challenges. Essential reading for anyone wishing to understand the instrumental impact of technological turns on film history.' - Andre Gaudreault, Universite de Montreal


Author Information

Kristen Whissel is a professor of filmand media at the University of California,Berkeley. She is the author of SpectacularDigital Effects: CGI and ContemporaryCinema and of Picturing AmericanModernity: Traffic, Technology and the SilentCinema. She is guest editor of two specialissues of film Criticism journal, on digitaleffects and on 3D.

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