Overview

An examination of Edith Wharton's works from World War I, reclaiming Wharton as a ""Great War"" writer Edith Wharton resided in France during World War I, visiting combat zones and hospitals and working tirelessly with refugee and children’s relief organizations. In magazines and newspapers such as the New York Times, Saturday Evening Post, and Scribner’s, she wrote prodigiously about the war—dispatches, feature articles, and poems. During this time she also completed a number of short stories, two books (Summer and The Marne), and the essays that were collected in French Ways and Their Meaning. The war remained a topic for her after its conclusion, most notably in her 1923 novel, A Son at the Front. Yet none of this work has received the critical attention it deserves. Julie Olin-Ammentorp, through her detailed examination of a wide range of texts, including archival sources and materials long out of print, reclaims Wharton’s war writings and places her in the company of other ""Great War"" writers. Olin-Ammentorp integrates all of Wharton’s war-time literary genres, discusses common themes, and examines issues such as Wharton’s exclusion from the canon of Great War writers; the effect of the war on her choice of subject, style, and tone; her shifting perspective on the war itself, as it dragged on far longer than anyone anticipated; her sense of personal, social, and literary destabilization during the war; and her increased sense of the role of history during and after the war. Olin-Ammentorp quotes many evocative passages from Wharton’s wartime correspondence—most notably to Henry James, who avidly read Wharton’s letters as if they were dispatches from the front. Particularly new is the inclusion of Wharton’s poetry composed during the war years, most of which has remained unpublished until now. In addition, Olin-Ammentorp’s examination of A Son at the Front is more detailed, comprehensive, and complex than any study to date. She concludes with a reflection on Wharton’s last depiction of the war years in her memoir, A Backward Glance. In addition to providing a thorough analysis of Wharton’s war writings, the book includes two appendixes of her out-of-print and scattered writings, available for the first time in over 85 years. The first contains the war poetry; the second includes a sampling of Wharton’s war-related nonfiction prose, including newspaper reportage, magazine articles, an obituary for her young friend Ronald Simmons who died in the war, and a speech she gave to American servicemen.

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9780813081335

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Reviews

“Until Julie Olin-Ammentorp’s book, Edith Wharton’s Writings from the Great War, was published, no full length study of these works had appeared. Her book is likely to become the definitive treatment of them. It is hard to imagine anyone surpassing her work in mastery of the subject.”—Edith Wharton Review “An important and long-overdue study of Wharton’s war works. One emerges from Edith Wharton’s Writings from the Great War with a clearer and more captivating vision of Wharton’s creative imagination as well as the culture that she so longed to preserve.”—Modern Fiction Studies “Wharton critics . . . will find a whole new ground for further studies in this book; but it is also, much more broadly, a significant and interesting study of a woman writer’s life-long engagement with the war. . . . This is, in the most literal sense, an inviting, inspiring, and ground-breaking book.”—American Literary Realism “Particularly compelling is the case Olin-Ammentorp makes for the value of women’s war-related writings, which she calls ‘the homefront novel’ and which she believes Wharton helped to create.”—Journal of Interdisciplinary Feminist Thought

Author Information

Julie Olin-Ammentorp is professor emerita of English at Le Moyne College, Syracuse. She is the editor of the Oxford World’s Classics edition of Edith Wharton’s A Son at the Front and the author of Edith Wharton, Willa Cather, and the Place of Culture.

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