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Rigorously researched and grounded in an impressive range of examples, Ecologies of Precarity in Twenty- First Century Theatre presents precarity as a central preoccupation of contemporary British theatre makers and playwrights, while exposing the complicities of Britain in producing and sustaining the conditions that ensure its continued proliferation. This timely and important work addresses the spread of precarity in the wake of significant economic and geopolitical traumas of the past thirty years, and considers how playwrights and theatre makers in Britain have been responding by exploring dystopia, the apocalyptic, the young, social justice, dispossession, and the unequal distribution of grievability. In the light of unprecedented numbers of refugees fleeing war-torn countries, the post-2008 economic meltdown and debt crises, and the 'slow violence' of the climate emergency - to name a few examples of the 'social ecology of precarity' addressed in the book - one wonders what relevance theatre really has as a forum for exploring and responding to events of such magnitude. What makes Marissia Fragkou's book so instructive is its assessment of the capacities for theatre to recalibrate regimes of visibility and invisibility in the same breath as considerations of the 'cruelty' of transformative ambition, and the complicities of theatre in reflecting the very frameworks and policies that weave 'crisis' into the social fabric. This is really a study of precarities, with relationships between precarity, representation, indebtedness and inequitable levels of vulnerability sitting at its heart. It is also a work that moves well beyond fatalism in acknowledging spaces for salvaging and being moved by vivid encounters with anger and care, discord and empathy, while foregrounding the importance - urgency, even - of reappraising what might be meant by responsibility, interdependence, solidarity and hope in the twenty-first century. * Dr. Adam Alston, Senior Lecturer in Modern and Contemporary Theatre, Goldsmiths, UK *

Rigorously researched and grounded in an impressive range of examples, Ecologies of Precarity in Twenty- First Century Theatre presents precarity has a central preoccupation of contemporary British theatre makers and playwrights, while exposing the complicities of Britain in producing and sustaining the conditions that ensure its continued proliferation. This timely and important work addresses the spread of precarity in the wake of significant economic and geopolitical traumas of the past thirty years, and considers how playwrights and theatre makers in Britain have been responding by exploring dystopia, the apocalyptic, the young, social justice, dispossession, and the unequal distribution of grievability. In the light of unprecedented numbers of refugees fleeing war-torn countries, the post-2008 economic meltdown and debt crises, and the 'slow violence' of the climate emergency - to name a few examples of the 'social ecology of precarity' addressed in the book - one wonders what relevance theatre really has as a forum for exploring and responding to events of such magnitude. What makes Marissia Fragkou's book so instructive is its assessment of the capacities for theatre to recalibrate regimes of visibility and invisibility in the same breath as considerations of the 'cruelty' of transformative ambition, and the complicities of theatre in reflecting the very frameworks and policies that weave 'crisis' into the social fabric. This is really a study of precarities, with relationships between precarity, representation, indebtedness and inequitable levels of vulnerability sitting at its heart. It is also a work that moves well beyond fatalism in acknowledging spaces for salvaging and being moved by vivid encounters with anger and care, discord and empathy, while foregrounding the importance - urgency, even - of reappraising what might be meant by responsibility, interdependence, solidarity and hope in the twenty-first century. * Dr. Adam Alston, Senior Lecturer in Modern and Contemporary Theatre, Goldsmiths, UK *

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Marissia Fragkou is Senior Lecturer in Performing Arts at Canterbury Christ Church University, UK. Her research focuses on the politics of representation, feminist theatre, affect, ethics, and precarity. She has published on British and European theatre for Palgrave, Bloomsbury Methuen, Performing Ethos, Contemporary Theatre Review and Modern Drama and has co-edited a special issue on contemporary Greek theatre for The Journal of Greek Media and Culture (2017).

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