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OverviewFull Product DetailsAuthor: Yoshinobu HakutaniPublisher: University of Missouri Press Imprint: University of Missouri Press Weight: 0.535kg ISBN: 9780826221827ISBN 10: 0826221823 Pages: 336 Publication Date: 30 January 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgments List of Abbreviations Introduction Part I: Transcendentalists Chapter 1 Henry David Thoreau and Confucian Ethics Chapter 2 The Poetics of Subjectivity: Emerson, Zen, and Lacan Chapter 3 Emerson, Whitman, and Zen Aesthetics Part II: Modernists Chapter 4 W. B. Yeats’s Poetics in the Noh Play Chapter 5 Yone Noguchi, Ezra Pound, and Imagism Chapter 6 Albert Camus’s The Stranger and Richard Wright’s The Outsider Chapter 7 Richard Wright’s Haiku and Modernist Poetics Chapter 8 Jack Kerouac’s Haiku, Beat Poetics, and On theRoad Part III: African American Writers Chapter 9 The Western and Eastern Thoughts of Ralph Ellison’s Invisible Man Chapter 10 Pagan Spain: Richard Wright’s Discourse on Religion, Politics, and Culture Chapter 11 Private Voice and Buddhist Enlightenment in Alice Walker’s The Color Purple Chapter 12 Toni Morrison, Richard Wright, and African Culture Chapter 13 African American Haiku: Richard Wright, Sonia Sanchez, and James Emanuel Notes Works CitedReviewsThis excellent study is not the first to deal with Eastern influences on Western literature and thinking, but it is a most timely offering--thorough in its research and clear in its presentation. Highly recommended. --Choice What we have not had in a useful and thorough form is a book like the one Hakutani has produced, a book carefully exploring the intellectual traffic between Asian and American authors on a larger scale across a significant period of history. --Aldon Lynn Nielsen, Professor of American Literature, Pennsylvania State University; author of Black Chant Languages of African American Postmodernism Professor Hakutani's East-West Literary Imagination represents a significant intervention in recent critical discussions placing American and African American literature in global, comparative, transnational, and transpacific contexts. --Anita Patterson, Professor of English, Boston University, author of Race, American Literature and Transnational Modernisms An inherently thoughtful, insightful, exceptionally well written, organized and presented work of original and seminal scholarship. --Midwest Book Review An inherently thoughtful, insightful, exceptionally well written, organized and presented work of original and seminal scholarship. --Midwest Book Review This excellent study is not the first to deal with Eastern influences on Western literature and thinking, but it is a most timely offering--thorough in its research and clear in its presentation. Highly recommended. --Choice What we have not had in a useful and thorough form is a book like the one Hakutani has produced, a book carefully exploring the intellectual traffic between Asian and American authors on a larger scale across a significant period of history. --Aldon Lynn Nielsen, Professor of American Literature, Pennsylvania State University; author of Black Chant Languages of African American Postmodernism Professor Hakutani's East-West Literary Imagination represents a significant intervention in recent critical discussions placing American and African American literature in global, comparative, transnational, and transpacific contexts. --Anita Patterson, Professor of English, Boston University, author of Race, American Literature and Transnational Modernisms "Professor Hakutani's East-West Literary Imagination represents a significant intervention in recent critical discussions placing American and African American literature in global, comparative, transnational, and transpacific contexts."""" - Anita Patterson, Professor of English, Boston University, author of Race, American Literature and Transnational Modernisms """"What we have not had in a useful and thorough form is a book like the one Hakutani has produced, a book carefully exploring the intellectual traffic between Asian and American authors on a larger scale across a significant period of history."""" - Aldon Lynn Nielsen, Professor of American Literature, Pennsylvania State University; author of “Black Chant”: Languages of African American Postmodernism """"This excellent study is not the first to deal with Eastern influences on Western literature and thinking, but it is a most timely offering—thorough in its research and clear in its presentation. Highly recommended."""" - Choice """"An inherently thoughtful, insightful, exceptionally well written, organized and presented work of original and seminal scholarship."""" - Midwest Book Review" Author InformationYoshinobu Hakutani is Professor of English and University Distinguished Scholar at Kent State University in Ohio. He is the author of several recent books, including Richard Wright and Haiku (University of Missouri Press), Haiku and Modernist Poetics, and Cross-Cultural Visions in African American Modernism. Tab Content 6Author Website:Countries AvailableAll regions |