East Asian Film Remakes

Author:   David Scott Diffrient ,  Kenneth Chan
Publisher:   Edinburgh University Press
ISBN:  

9781399508179


Pages:   344
Publication Date:   31 May 2025
Format:   Paperback
Availability:   Not yet available, will be POD   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released.

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East Asian Film Remakes


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Overview

This wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field.

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Author:   David Scott Diffrient ,  Kenneth Chan
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781399508179


ISBN 10:   1399508172
Pages:   344
Publication Date:   31 May 2025
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available, will be POD   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released.

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East Asian Film Remakes offers a rich banquet of revelations, ranging from directors who remake their own films as they refine their auteur obsessions to vibrant, humorous and even scandalous pop culture appropriations that display breath-taking creativity.--Chris Berry, King's College London


Author Information

David Scott Diffrient is Professor of Film and Media Studies at Colorado State University. Kenneth Chan is Professor of English and Film Studies at the University of Northern Colorado.

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