Overview

Full Product Details

Author:   Honey Meconi
Publisher:   Taylor & Francis Inc
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.453kg
ISBN:  

9780815335214

ISBN 10:   0815335210
Pages:   248
Publication Date:   01 December 2003
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Series Editor's Foreword Acknowledgments List of Abbreviations Introduction: Borrowing and Early Music Honey Meconi 1. A Cultural Context for the Chanson Mass M. Jennifer Bloxam 2. Ockeghem and Intertextuality: A Composer Interprets Himself Murray Steib 3. The Illusion of Allusion Jenny Hodgson 4. Interpreting and Dating Josquin's Missa Hercules dux ferrariae Christopher Reynolds 5. Habsburg-Burgundian Manuscripts, Borrowed Material, and the Practice of Naming Honey Meconi 6. Aspects of Musical Borrowing in the Polyphonic Missa de feria of the Fifteenth and Sixteenth Centuries Andrew H. Weaver 7. Mid-Sixteenth-Century Chanson Masses: A Kaleidoscopic Process Cathy Ann Elias 8. Melodic Citation in the Sixteenth-Century Motet Michele Fromson Bibliography Contributors Index

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Author Information

Honey Meconi is Associate Professor of Music at Rice University. She resides in Houston.

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